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Views from the Choir Loft

New Work from Paul Jernberg

Fr. David Friel · February 16, 2020

EVERAL times in recent years, we have featured composer Paul Jernberg on this blog (e.g., here and here). This is for good reason. Jernberg writes beautiful music, eminently fitting for the sacred liturgy. He is also involved in worthwhile projects such as the Magnificat Institute of Sacred Music.

Recently, Jernberg has undertaken a new project that deserves attention. As he explains, he wanted to write a book sharing his insights about truth, beauty, and goodness in relation to Catholic sacred music. In the process of writing, he decided that the material might be more effective if it were to be published online and in installments. A few of the installments have already begun to appear on his website.

Jernberg’s blogging retains the structure of his intended book. It will proceed in a few major sections:

Prologue: Foundations
Part I: Holy Repertoire
Part II: Humble Artistry
Part III: Fire of Love
Epilogue

Something wonderful about this work is that it is available not only in written format, but also as a series of podcasts. If it is easier to listen to each installment, recordings are available here.

Jernberg’s music is a delight to hear, and I am sure this new project will be enlightening to read.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Paul Jernberg Last Updated: February 16, 2020

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Fr. David Friel

About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at St. Anselm Parish in Northeast Philly. He is currently a doctoral candidate in liturgical theology at The Catholic University of America.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

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