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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Richard J. Clark · January 10, 2020

WO CATHEDRALS  — two Sundays. Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross (Sunday 1.12.2020 @2pm) and Saint Patrick’s Cathedral, New York City. (Sunday, 1.19.2020 @ 3:15pm)

On the program is the seven-movement organ suite Gregorian Impressions. Published by The Sacred Music Press/The Lorenz Corporation, it is based on familiar and beloved plainchants. The American Organist magazine praises Gregorian Impressions for its “engaging developments.” 

The Boston Archdiocesan Schola will assist singing the chants prior to each movement. Several noted liturgical musicians from New York will join members of the Boston Schola in New York.

HE TWO ORGANS: BOSTON — Sunday, January 12 @2pm: Built in 1875, the 101-rank E. & G. G. Hook and Hastings, Opus 801 contains 5,318 pipes. This instrument is highly unique in that it is nearly original in its tonal design. Clothed in stone and marble (since the recent renovation) this organ is breathing new life into the Cathedral!

• Click here for concert program and specifications of the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

• A tour of the newly renovated Holy Cross Cathedral will immediately follow the concert.

NEW YORK — Sunday, January 19th @3:15pm: five-manuals, 206 stops, 150 ranks, and 10 divisions, the Kilgen Organs were rebuilt by the Peragallo Pipe Organ Company in the 1990s.

This concert will be live-streamed here.

Both concerts are free and open to the public. See you there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: cathedral music, chant, Pipe Organ Last Updated: January 13, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The authority of the Pope is not unlimited. It is at the service of Sacred Tradition. Still less is any kind of general ‘freedom’ of manufacture, degenerating into spontaneous improvisation, compatible with the essence of faith and liturgy. The greatness of the liturgy depends—we shall have to repeat this frequently—on its lack of spontaneity.”

— Josef Cardinal Ratzinger (2000)

Recent Posts

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  • “Music List” • 15th in Ordinary Time (Year C)
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