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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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(Archive) • St. Edmund Campion Missal & Hymnal (2nd Edition)

Jeff Ostrowski · December 1, 2019

Foreword by Fr. Berg   —   Nine Images   —   2nd Edition Info

Table of Contents   —   Executive Summary

ORGAN ACCOMPANIMENTS (2 vols.)   —   “How do I open this book properly?” (VIDEOS)

INE ART: More than 300 traditional line art illustrations were collected from a special Benedictine archive and carefully digitally-enhanced for the Campion project. From these, we selected about seventy-five of the highest quality images for inclusion in our book. The pictures were then carefully placed according to the liturgical year and feast.

      * *  Sample of black and white line art image [pdf]

ASS PHOTOS: A distinguishing feature of our book is the inclusion of the complete Ordo Missae for both Solemn and Low Mass, along with 100+ color photographs, made possible by the Priestly Fraternity of Saint Peter, to help the congregation follow the prayers and ceremonies. All vestments used were 200+ years old. Here are some examples:

Solemn Mass   •   Qui Prídie:   1024×768
Solemn Mass   •   Offérimus:   1920×1200   1024×768
Low Mass   •   Confiteor:   1920×1200   1024×768   2560×1440
Low Mass   •   Introit:   1920×1200   1024×768   2560×1440
Low Mass   •   Credo:   1920×1200   1024×768   2560×1440
Low Mass   •   Consecration:   1920×1200   1024×768   2560×1440
Low Mass   •   Libera Nos:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Introit:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Credo:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Subdeacon:   1920×1200   1024×768   2560×1440
Solemn Mass   •   Last Gospel:   1920×1200   1024×768   2560×1440

REGORIAN CHANT MASSES: For the first time since the 1950s, all eighteen Gregorian chant Masses from the Kyriale (Vatican Edition with Solesmes rythmic signs) and all six versions of the Credo have been carefully typeset and printed in a book for the congregation. The scores are presented in a large size, to facilitate congregational singing, and they are printed with amazing precision and clarity. Click here to view a sample.

ROPERS & READINGS: Our book contains the complete Propers and Readings in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. Also included are the Requiem Mass (Funerals), Nuptial Mass (Weddings), and Confirmation. Click here to view a sample page.

Click here to view a comparison chart (size) between our missal and some typical “daily missals.” Click here for a list of all the Propers included in our book.

ITURGICAL MANUSCRIPTS: For the first time in history, ancient manuscripts have been included alongside corresponding texts of the Mass Ordinary. We hope that other publishers will quickly follow our lead, so that all Christians may come to a greater appreciation of these sacred texts, preserved with such astonishing care for more than thirteen centuries.

      * *  Preview Page from the Second Edition

ATHOLIC HYMNODY: Our book contains 150 elegant, enduring, traditional, Catholic hymns in English for the congregation. In addition those that all traditional communities know and love, we have included exceptionally beautiful tunes like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE. Kevin Allen has also composed eleven stunning tunes exclusively for our book.

      Samples:         #860         #880         #889

With regard to the texts, we excluded sentimental poems of poor quality. Instead, we unearthed hidden treasures by St. Thomas More (†1535), St. Robert Southwell (†1595), St. Philip Howard (†1595), Bl. John Henry Cardinal Newman (†1890), and many others.

      * *  Essay on Hymn Criteria for the Campion Book

Literal translations were chosen, allowing the faithful to fully grasp the meaning of hundreds of ancient Latin prayers and poems of the Roman Liturgy. However, we also included many beautiful Latin hymns & poems, given beautiful yet faithful metrical translations into English. Click here to see an index of these only.

Articles about the Campion Missal:

6/6/12 • Initial Announcement
1/4/13 • Introduction by Vox Cantoris Blog
1/31/13 • Images of the 1st Edition
2/20/13 • Review by ChurchLatin.com
2/22/13 • Chant Café Review   (alt.)
2/25/13 • Announcement for Organ Accompaniments
2/26/13 • Review by Fr. John T. Zuhlsdorf
3/11/13 • Review by The Ictus
3/15/13 • Review by James T.M. Griffin
3/27/13 • Progress Report on NLM
4/04/13 • Guest Article by Jeff Ostrowski on Chant Café   (alt.)
4/23/13 • Review by Fr. Christopher Smith
5/28/13 • Review by The Hermeneutic of Continuity (Blog)
7/17/13 • Exclusive NLM Interview on the 2nd Edition   (alt.)
7/17/13 • Images of the 2nd Edition
8/12/13 • Fr. John Zuhlsdorf Reviews the 2nd Edition
8/12/13 • Reflections on the 2nd Edition by Dr. Kwasniewski
8/20/13 • Review of the 2nd Edition by Ben Yanke
9/12/13 • Reflections on the Campion Missal by Adam Wood
9/14/13 • Mater Misericordiae Mission
9/16/13 • Review by It’s All Straw (Blog)
12/5/13 • Review of the 1st Edition by A Catholic Life (Blog)
1/6/14 • Article: “How Artwork Should Be Inserted In Hand Missals”
11/16/14 • Review by Regina Magazine
2/4/14 • Review by Fr. Justin Nolan, FSSP
1/12/17 • Review by Fr. Michael Magiera, FSSP

Six-Part Series by Editor:   Part 1   |   Part 2   |   Part 3   |   Part 4   |   Part 5   |   Part 6

To read what people are saying, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

This was first breach in the walls of a fortress, centuries old, stoutly built, strong and robust, but no longer capable of responding to the spiritual needs of the age. [N.B. the “fortress” is a liturgy which nourished countless great saints.]

— Annibale Bugnini (19 March 1966)

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