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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Wasilewski: “Evil” to Remove Pachamama Idols

Jeff Ostrowski · November 30, 2019

80721 observer OU HAVE probably heard about the fertility idols which Alexander Tschugguel threw into the river in Rome. Some have tried to defend their use; e.g. Blase Cardinal Cupich said the church has “always adopted pagan elements in its traditions and especially its liturgical rites”—but Cardinal Cupich is not telling the truth, because such things were allowed only after the pagan associations had faded away or become neutral. 1

Father Kenneth Wasilewski (who, I have no doubt, is a good and decent priest) recently published an article which is deeply flawed.

Here is an excerpt:

Vatican Theft and the Seventh Commandment

By Father Kenneth Wasilewski

A few weeks ago, there was a news story involving the Vatican and the theft and attempted destruction of some statues relating to the indigenous people of the Amazon. […] The theft, and the attempted destruction, were videoed by the perpetrators who then made the videos public. The reactions to these events were mixed. Some saw these actions as semi-heroic. Most, however, seemed to see them as a form of vigilantism involving theft and vandalism. This case is filled with several moral issues. However, in keeping with my ongoing discussion of the Seventh Commandment, I will limit my discussion to just a few that deal more directly with that commandment. To that end, the most obvious issue is rather black and white. It is undisputedly an act of theft. The person(s) in question had no right to take and attempt to destroy the statues even though they found them offensive and inappropriate. The fact that someone judges something to be inappropriate doesn’t give them license to do what they want with someone else’s property. This particular act of theft was compounded by the fact that it took place in a church. Interestingly, in the video of the crime, the thief is seen genuflecting upon entering and leaving the church. Presumably, this was done as a sign of reverence to Jesus present in the Blessed Sacrament. However, it’s a rather twisted logic that offers God reverence while directly transgressing one of God’s commandments. […] If the thieves believed it good that these statues never be seen again, then their actions achieved precisely the opposite effect.


Father Kenneth Wasilewski is wrong for three reasons:

(1) When Catholics see certain things displayed in a Church—such as fertility idols or pornography—we have a duty to remove such items. Period.

(2) Catholic Churches do not belong to one priest, one nun, or any particular cleric. This is our Church—every one of us. Period.

(3) “Theft” has nothing to do with what we are talking about—when it comes to removing idols and/or pornography from a Catholic Church. Period.

On 25 October 2019, Gerhard Cardinal Müller, former head of the Holy Office, reminded Catholics it was not sinful to remove those fertility idols from the Catholic Church:

“The great mistake was to bring the idols into the Church, not to put them out; because according to the Law of God Himself—the First Commandment—idolatry is a grave sin and not to mix them with the Christian liturgy.”

F SOMEBODY places pornography in the church where little children can see it, Catholics have an obligation to remove that pornography. Father Wasilewski is wrong to call such a thing “theft.” Respect for the 7th Commandment has nothing to do with removing idols and/or pornography from Catholic Churches. Once they were removed, what was Alexander Tschugguel supposed to do with them? Giving them to another human would be, in a certain sense, encouraging or endorsing idol worship. Alexander Tschugguel made the decision to place them in a river. Perhaps he should have burned them, but who are we to judge his decision?

By the way, these fertility idols were also pornographic; they depicted nude women. (The official spokesman for the synod made clear 2 they did not depict our Lady.) Father Wasilewski has an obligation to publicly apologize for his article as quickly as possible, so that scandal can be minimized.

A bizarre cause for hope.

Seeing toleration for pagan idols by Church leaders is quite discouraging to faithful Catholics. But I suspect their motives have nothing to do with paganism. Instead, it is a surrender to the current culture, which worships so-called “multiculturalism” and “tolerance” of certain “pluralism” fads. Certainly their surrender is indefensible and shameful—but its root cause is a desire for adulation and praise by the world. I don’t think it’s ultimately about paganism. For some bizarre reason, that makes it less sad to me.



NOTES FROM THIS ARTICLE:

1   The pipe organ is a typical example. After its pagan associations had faded away, it was no longer forbidden for use in the Catholic Church.

2   Father Giacomo Costa (a communications official for the Amazon synod) said that a wooden figure of a nude pregnant woman, which has been present at events related to the synod, is not the Virgin Mary, but is instead a female figure representing life. “It is not the Virgin Mary, who said it is the Virgin Mary?” Costa said at a press conference for the Amazon synod on 16 October 2019.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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  • “Dies Irae” • A Monstrous Translation

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