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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Gratuity of Beauty

Fr. David Friel · November 9, 2019

INE YEARS ago, in November 2010, Pope Benedict XVI traveled to Barcelona to dedicate the extraordinary Sagrada Familia Basilica. The Holy Father’s homily for the occasion was equally extraordinary. He said at that time: “Beauty . . . reveals God because, like Him, a work of beauty is pure gratuity.”

What a line for meditation: A work of beauty is pure gratuity.

A project of the great architect Antoni Gaudi, Sagrada Familia was granted the status of a minor basilica at the time of its dedication in 2010. The history of the basilica’s founding and development is fascinating, spanning at this point more than five generations. Its physical construction, which began in 1882, is scheduled to be completed in 2026.

Today, we celebrate the dedication of the Basilica of St. John Lateran, which is the mother church of the universal Church. Most of us are not able to be in the Lateran Basilica today, but we join in the celebration because we are in union with our Holy Father, whose cathedral it is. Many people would think it funny that Catholics celebrate the dedication of a building centuries-old and (for many people) thousands of miles away. They would also think it funny that so much time and money has been spent on Sagrada Familia.

But ours is an Incarnational faith, and so we see value in art and beauty. Beauty is certainly found in unadulterated creation, but God also takes especially great delight in what we fashion out of His creation. He enjoys the beauty of things that the Earth has provided and that human hands have shaped.

The beauty of our churches and chapels is, indeed, gratuitous. But, of course, God’s love for us is gratuitous; His mercy is gratuitous; the fact that we even exist is gratuitous. That beauty is also gratuitous does not mean we ought not to bother with it. Instead, we should consider how the very gratuity of beauty, paradoxically, makes it so necessary.

OTHER TERESA of Calcutta famously encouraged us to “do something beautiful for God.” Today, let’s do something gratuitous for God. We, who are “temples of the Holy Spirit” (1 Cor 6:19), become more beautiful and more pleasing to God precisely by our gratuitous acts of charity. Cultivating beauty in our lives may not mean the building of a basilica like Gaudi’s, but it could well begin with imitating God, Himself, “who gives generously and ungrudgingly to all” (James 1:5).

Whenever we come to church, we must prepare our hearts to be as beautiful as we expect this church to be. Do you wish to find this basilica immaculately clean? Then do not soil your soul with the filth of sins. Do you wish this basilica to be full of light? God, too, wishes that your soul be not in darkness, but that the light of good works shine in us, so that He who dwells in the heavens will be glorified. Just as you enter this church building, so God wishes to enter into your soul, for He promised: “I shall live in them, and I shall walk the corridors of their hearts.”

— St. Caesarius of Arles (470-542)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Pope Benedict XVI, Sacred Architecture Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

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