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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gratuity of Beauty

Fr. David Friel · November 9, 2019

INE YEARS ago, in November 2010, Pope Benedict XVI traveled to Barcelona to dedicate the extraordinary Sagrada Familia Basilica. The Holy Father’s homily for the occasion was equally extraordinary. He said at that time: “Beauty . . . reveals God because, like Him, a work of beauty is pure gratuity.”

What a line for meditation: A work of beauty is pure gratuity.

A project of the great architect Antoni Gaudi, Sagrada Familia was granted the status of a minor basilica at the time of its dedication in 2010. The history of the basilica’s founding and development is fascinating, spanning at this point more than five generations. Its physical construction, which began in 1882, is scheduled to be completed in 2026.

Today, we celebrate the dedication of the Basilica of St. John Lateran, which is the mother church of the universal Church. Most of us are not able to be in the Lateran Basilica today, but we join in the celebration because we are in union with our Holy Father, whose cathedral it is. Many people would think it funny that Catholics celebrate the dedication of a building centuries-old and (for many people) thousands of miles away. They would also think it funny that so much time and money has been spent on Sagrada Familia.

But ours is an Incarnational faith, and so we see value in art and beauty. Beauty is certainly found in unadulterated creation, but God also takes especially great delight in what we fashion out of His creation. He enjoys the beauty of things that the Earth has provided and that human hands have shaped.

The beauty of our churches and chapels is, indeed, gratuitous. But, of course, God’s love for us is gratuitous; His mercy is gratuitous; the fact that we even exist is gratuitous. That beauty is also gratuitous does not mean we ought not to bother with it. Instead, we should consider how the very gratuity of beauty, paradoxically, makes it so necessary.

OTHER TERESA of Calcutta famously encouraged us to “do something beautiful for God.” Today, let’s do something gratuitous for God. We, who are “temples of the Holy Spirit” (1 Cor 6:19), become more beautiful and more pleasing to God precisely by our gratuitous acts of charity. Cultivating beauty in our lives may not mean the building of a basilica like Gaudi’s, but it could well begin with imitating God, Himself, “who gives generously and ungrudgingly to all” (James 1:5).

Whenever we come to church, we must prepare our hearts to be as beautiful as we expect this church to be. Do you wish to find this basilica immaculately clean? Then do not soil your soul with the filth of sins. Do you wish this basilica to be full of light? God, too, wishes that your soul be not in darkness, but that the light of good works shine in us, so that He who dwells in the heavens will be glorified. Just as you enter this church building, so God wishes to enter into your soul, for He promised: “I shall live in them, and I shall walk the corridors of their hearts.”

— St. Caesarius of Arles (470-542)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Pope Benedict XVI, Sacred Architecture Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Indeed, we may not hope for real Latin poetry any more, because Latin is now a dead language to all of us. However well a man may read, write, or even speak Latin now, it is always a foreign language to him, acquired artificially. It is no one’s mother tongue. Does a man ever write real poetry in an acquired language?”

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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