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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

New Typesetting! • “Kyriale Supplement” (1934)

Jeff Ostrowski · October 21, 2019

ACK IN FEBRUARY (wow—time sure does fly!) we uploaded a rare “insert” from 1934, which contained additional chants for the KYRIALE. You can read all about it by visiting the February article. I certainly had never come across these versions before, and some of them sound quite peculiar. The chants were badly in need of re-typesetting, as you can see:

80989-Kyriale-1934


Mr. Andrew Hinkley emailed me this morning; he has completed this task! 1

    * *  PDF • Kyrie I (“Deus miserator”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie II (“Rex Magne”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie III (“Christe Patris”) Ex Cantatorio Silensi

    * *  PDF • Kyrie IV (“Conditor poli”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie V (“Deus solus et immensus”) Ex Tropario Vicensi [10th century]

    * *  PDF • Kyrie VI (“Jesu Redemptor”) Ex Tropario Oscensi [11th century]

    * *  PDF • Kyrie VII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie VIII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie IX Ex Cantatorio Burgensi [13th century]

    * *  PDF • Kyrie X Ex Cantatorio Asturicensi [13th century]

    * *  PDF • Gloria I Ex Prosario Oscensi [9th century]

    * *  PDF • Gloria II Ex Antiphonario mozarabico Legionensi [10th century]

    * *  PDF • Credo I Ex quodam Graduali impresso

    * *  PDF • Credo II Ex cod Silensi mozarabico [11th century]

    * *  PDF • Sanctus I Ex Tropario Aemilianensi [11th century]

    * *  PDF • Sanctus II Ex Cantatorio Silensi

    * *  PDF • Sanctus III Ex Cantatorio Silensi

    * *  PDF • Sanctus IV Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus I Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus II Ex Tropario Oscensi [11th century]

Important Notice :

Before using those files, please compare them to the original:

    * *  PDF Download • Supplement to the Kyriale (1934)

Andrew Hinkley is the best there is…but even he makes mistakes.



NOTES FROM THIS ARTICLE:

1   Mr. Hinkley told us he plans on adding the GABC code to Mdme. GregoBase very soon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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