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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Saint Paul’s Choir School • Open Houses

Richard J. Clark · September 27, 2019

HE ONLY all boys Roman Catholic choir school in the United States, St. Paul’s Choir School, Harvard Square, is holding open houses soon (listed below). Additionally, the school is very happy to invite boys to “shadow” throughout the school day to get a hands-on experience. Financial aid is available. This is a special opportunity to explore a unique and life-changing Catholic education.


Educate & Elevate – Open Houses Following the Great Cathedral School Tradition

AINT PAUL’S Choir School provides boys in grades 3-8 with an extraordinary learning experience. SPCS integrates a rigorous, academic day school with the performance of choral masterworks at home, internationally, and with renowned groups such as the Boston Symphony Orchestra. Saint Paul’s features small classes and teaches the core subjects of Math, Literature, Social Studies, and Science along with Rhetoric, Latin, and Music Theory.

PDF • Download information here!

Boys who enter Saint Paul’s Choir School need only an interest in singing. Choral instruction, rigor, and practice shape them into the beautiful chorus and choristers Saint Paul’s is known for.

SPCS CORDIALLY INVITES you and your son to our Open Houses and vocal auditions on the following dates:

• Thursday, October 24 from 5:30-7:30 p.m.
• Sunday, November 3 from 12:30-2:30 p.m.
• Thursday, January 30 from 5:30-7:30 p.m.

For more information, click here to see our website or
click here to email Patrick Moran, Director of Admissions.

N A MORE PERSONAL NOTE, my son has begun his studies at Saint Paul’s Choir School. While he loved his previous school, he was thrilled to begin St. Paul’s. As parents, our interest in Saint Paul’s is just as much academic as it is musical (perhaps more). With academics—bolstered by new Headmaster, Dr. Thomas Haferd—coupled with unique performance opportunities, the boys are sought after by excellent high schools and colleges.

Most importantly, the boys are immersed in the traditions of the Catholic Faith, attending, and singing at Mass six days per week. They are guided by the Pastor and Senior Chaplain, Fr. William Kelly, who also graduated from St. Paul’s having studied with the school’s legendary founder and visionary, Theodore Marier. Notably it was at St. Paul’s where Fr. Kelly first considered the priesthood. (At the time it was called the Boston Archdiocesan Choir School. “St. Paul’s Choir School” is the original and current name.)

The greatest thing Saint Paul’s has to offer is its bedrock of Catholicism. Thomas Carroll, Superintendent of Schools for the Archdiocese of Boston implores that Catholic Schools embrace their Catholicism as their greatest strength. He writes in the Boston Pilot:

Some Catholic school leaders wrongly believe that they should de-emphasize faith as they seek to market their schools in a broadly secular society. This is a mistake. Given competition from free district schools and free charter schools, a Catholic school will not prevail by positioning itself as a tuition-charging secular (non-religious) school. Our schools can “go further with faith.” What Catholic schools offer is something more transcendent than any secular school can ever offer. This is our strength, not a weakness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Education, Saint Pauls Choir School Harvard Square Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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