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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Let the Fun Begin

Dr. Lucas Tappan · September 3, 2019

LMT St. Paul's England ODAY’S FEAST OF ST. GREGORY THE GREAT appropriately marks the beginning of the 9th year of the Most Pure Heart of Mary Schola Cantorum. It was decided last week that I should move the entire choir rehearsal area not only to a new room, but to a new building on our parish’s campus, so the week leading up to the august event proved to be quite a circus.

While most Americans enjoyed the fruits of the grill yesterday to celebrate Labor Day, my family and I were hard at work: my wife and sisters carried gobs of cassocks and surplices, my children carried music stands, my 72 year old mother carried wooden benches(!) and I drank a martini… To be honest, I was moving benches, music, the piano, cassocks and surplices and setting up the new room. We really had a fun time!

On top of everything else, I have also been searching for ways to bring more choristers into the choir (along with their families), to keep them on board, to provide better and more comprehensive choral and Faith formation to youth and to give my own work a new energy. Perhaps some of these might work for you and your choirs and I offer them in the spirit of mutual enrichment.

Recruiting: I have written about this before, but things such as a summer camp, annual auditions for all the students in the parochial school, trips (especially international trips) and the opportunity for a quality musical education are all enticements for students and their parents. However, as Mark Rohwer explains in  an article entitled “If You Build It…“ from Choral Director magazine, “a great musical experience is a better recruiting tool than a pizza party every time.”

Retention: Delivering a quality choral experience for children and parents is essential, but other things are critical as well. I keep attendance for all of our rehearsals and Masses, but until recently I never did anything with the information. Now when students miss a rehearsal or Mass and I don’t know why, or if I hear of the reason second hand from others, I send a friendly email to parents to make sure everything is alright and this helps busy families to stay accountable and let’s them and their children know they are essential to the team.

Choral Education: I need to  be learning constantly if I expect my choristers to do the same. In this regard, I find it essential to be learning from the best, whether in person or via other means. I try to keep in contact with other professional musicians and have no qualms calling for advice whenever I need it. For those who cannot get away (I often find myself in this boat) YouTube is an essential tool for one’s formation. I also peruse the websites of various choirs because they often provide videos of choral warm-ups, snippets of their latest CDs and videos of rehearsals and concerts. Did you know that the Indianapolis Children’s Choir provide several videos of choral warm-ups plus a video for children and parents that tells them how and what to expect when auditioning? There is a wonderful set of videos that track the entrance and training of choristers at the famous Cathedral of Regensburg. They are amazing!

Faith Formation: Some of my choristers have an incredible knowledge of the Catholic Faith and very deep interior lives, while others not so much. I admit that I do not have a comprehensive program for teaching the Catholic Faith during rehearsals, but I do make sure that every child can recite from memory his or her purpose in life: to know, love and serve God in this life and to be happy with Him forever in Heaven. The music or the day’s feast often provides plenty of points for discussion and I try to make time for those discussions. The Imaginative Conservative recently published an article entitle Music and the Education of the Christian Soul. While the article doesn’t address specific ways to teach the Faith to choristers, it does address the importance of music in the formation of the moral imagination.

I hope and pray the new choral year proves to be fruitful year for each of you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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