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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Let the Fun Begin

Dr. Lucas Tappan · September 3, 2019

LMT St. Paul's England ODAY’S FEAST OF ST. GREGORY THE GREAT appropriately marks the beginning of the 9th year of the Most Pure Heart of Mary Schola Cantorum. It was decided last week that I should move the entire choir rehearsal area not only to a new room, but to a new building on our parish’s campus, so the week leading up to the august event proved to be quite a circus.

While most Americans enjoyed the fruits of the grill yesterday to celebrate Labor Day, my family and I were hard at work: my wife and sisters carried gobs of cassocks and surplices, my children carried music stands, my 72 year old mother carried wooden benches(!) and I drank a martini… To be honest, I was moving benches, music, the piano, cassocks and surplices and setting up the new room. We really had a fun time!

On top of everything else, I have also been searching for ways to bring more choristers into the choir (along with their families), to keep them on board, to provide better and more comprehensive choral and Faith formation to youth and to give my own work a new energy. Perhaps some of these might work for you and your choirs and I offer them in the spirit of mutual enrichment.

Recruiting: I have written about this before, but things such as a summer camp, annual auditions for all the students in the parochial school, trips (especially international trips) and the opportunity for a quality musical education are all enticements for students and their parents. However, as Mark Rohwer explains in  an article entitled “If You Build It…“ from Choral Director magazine, “a great musical experience is a better recruiting tool than a pizza party every time.”

Retention: Delivering a quality choral experience for children and parents is essential, but other things are critical as well. I keep attendance for all of our rehearsals and Masses, but until recently I never did anything with the information. Now when students miss a rehearsal or Mass and I don’t know why, or if I hear of the reason second hand from others, I send a friendly email to parents to make sure everything is alright and this helps busy families to stay accountable and let’s them and their children know they are essential to the team.

Choral Education: I need to  be learning constantly if I expect my choristers to do the same. In this regard, I find it essential to be learning from the best, whether in person or via other means. I try to keep in contact with other professional musicians and have no qualms calling for advice whenever I need it. For those who cannot get away (I often find myself in this boat) YouTube is an essential tool for one’s formation. I also peruse the websites of various choirs because they often provide videos of choral warm-ups, snippets of their latest CDs and videos of rehearsals and concerts. Did you know that the Indianapolis Children’s Choir provide several videos of choral warm-ups plus a video for children and parents that tells them how and what to expect when auditioning? There is a wonderful set of videos that track the entrance and training of choristers at the famous Cathedral of Regensburg. They are amazing!

Faith Formation: Some of my choristers have an incredible knowledge of the Catholic Faith and very deep interior lives, while others not so much. I admit that I do not have a comprehensive program for teaching the Catholic Faith during rehearsals, but I do make sure that every child can recite from memory his or her purpose in life: to know, love and serve God in this life and to be happy with Him forever in Heaven. The music or the day’s feast often provides plenty of points for discussion and I try to make time for those discussions. The Imaginative Conservative recently published an article entitle Music and the Education of the Christian Soul. While the article doesn’t address specific ways to teach the Faith to choristers, it does address the importance of music in the formation of the moral imagination.

I hope and pray the new choral year proves to be fruitful year for each of you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

He stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.

— Re: Pope Saint Pius V (d. 1572)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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