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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Let the Fun Begin

Dr. Lucas Tappan · September 3, 2019

LMT St. Paul's England ODAY’S FEAST OF ST. GREGORY THE GREAT appropriately marks the beginning of the 9th year of the Most Pure Heart of Mary Schola Cantorum. It was decided last week that I should move the entire choir rehearsal area not only to a new room, but to a new building on our parish’s campus, so the week leading up to the august event proved to be quite a circus.

While most Americans enjoyed the fruits of the grill yesterday to celebrate Labor Day, my family and I were hard at work: my wife and sisters carried gobs of cassocks and surplices, my children carried music stands, my 72 year old mother carried wooden benches(!) and I drank a martini… To be honest, I was moving benches, music, the piano, cassocks and surplices and setting up the new room. We really had a fun time!

On top of everything else, I have also been searching for ways to bring more choristers into the choir (along with their families), to keep them on board, to provide better and more comprehensive choral and Faith formation to youth and to give my own work a new energy. Perhaps some of these might work for you and your choirs and I offer them in the spirit of mutual enrichment.

Recruiting: I have written about this before, but things such as a summer camp, annual auditions for all the students in the parochial school, trips (especially international trips) and the opportunity for a quality musical education are all enticements for students and their parents. However, as Mark Rohwer explains in  an article entitled “If You Build It…“ from Choral Director magazine, “a great musical experience is a better recruiting tool than a pizza party every time.”

Retention: Delivering a quality choral experience for children and parents is essential, but other things are critical as well. I keep attendance for all of our rehearsals and Masses, but until recently I never did anything with the information. Now when students miss a rehearsal or Mass and I don’t know why, or if I hear of the reason second hand from others, I send a friendly email to parents to make sure everything is alright and this helps busy families to stay accountable and let’s them and their children know they are essential to the team.

Choral Education: I need to  be learning constantly if I expect my choristers to do the same. In this regard, I find it essential to be learning from the best, whether in person or via other means. I try to keep in contact with other professional musicians and have no qualms calling for advice whenever I need it. For those who cannot get away (I often find myself in this boat) YouTube is an essential tool for one’s formation. I also peruse the websites of various choirs because they often provide videos of choral warm-ups, snippets of their latest CDs and videos of rehearsals and concerts. Did you know that the Indianapolis Children’s Choir provide several videos of choral warm-ups plus a video for children and parents that tells them how and what to expect when auditioning? There is a wonderful set of videos that track the entrance and training of choristers at the famous Cathedral of Regensburg. They are amazing!

Faith Formation: Some of my choristers have an incredible knowledge of the Catholic Faith and very deep interior lives, while others not so much. I admit that I do not have a comprehensive program for teaching the Catholic Faith during rehearsals, but I do make sure that every child can recite from memory his or her purpose in life: to know, love and serve God in this life and to be happy with Him forever in Heaven. The music or the day’s feast often provides plenty of points for discussion and I try to make time for those discussions. The Imaginative Conservative recently published an article entitle Music and the Education of the Christian Soul. While the article doesn’t address specific ways to teach the Faith to choristers, it does address the importance of music in the formation of the moral imagination.

I hope and pray the new choral year proves to be fruitful year for each of you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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