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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Southeastern Sacred Music Workshop 2019

Andrew Leung · August 5, 2019

CTL SSMW 2019 HIS YEAR’S annual Sacred Music Workshop organized by the Southeastern Sacred Music, a chapter of the Church Music Association of America, will be held at the Cathedral of St. Paul in Birmingham, AL. This fifth annual workshop will be held on August 9 to August 10. It is a great opportunity for singers, organists, clergy and lay music lovers to connect and to learn to sing Gregorian chant and polyphony. In the last four years, the workshop has benefited hundreds of church musicians in Southeastern United States.

Participants will have the opportunity to join a chant group and motet ensemble of their choosing, from beginner to advanced. The event will culminate with a sung liturgy Saturday afternoon. Breakout courses will be offered on a variety of topics of interest to music directors, singers, organists, and clergy. Participants will also have the opportunity to attend a free concert by the Highland Consort on Friday night.

I am really glad to see two of my former colleagues, Bridget Scott and Jonathan Eason, whom I have worked with in the very first workshop will be returning as faculty members this year. In addition, Fr. Justin Ward from the Diocese of Birmingham, Bruce Ludwick Jr. of the Cathedral of St. Paul and Dr. Frederick Teardo of the Cathedral Church of the Advent in Birmingham will be on the faculty as well. Jonathan will be offering private voice lessons before the workshop begins and Fr. Ward, director of the Office of Sacred Liturgy for the diocese, will deliver the plenary address.

The $90 registration fee covers all materials as well as a coffee and lunch on Saturday. You may visit their website for more information and to register. If you are not a singer but would be interested listening to some beautiful sacred music, you may join Solemn Mass at 5pm at the Cathedral on Saturday.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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