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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When “Textbooks” Don’t Cut It

Veronica Moreno · June 21, 2019

83941 ver0 HREE CHILDREN sit tamely on the couch. The baby crawls around looking for things to taste…errr explore. But the two-year-old, she can’t sit beyond 12 seconds. Soon she’ll be on the floor with a Shopkin’ or a peg doll. During this, she’ll be “quieter”—because this is our “morning time,” the start of our homeschooling day.

To the casual observer, she is quietly playing, but looking closer, this little sponge is whispering. She’s following along with our prayers! A few minutes later, when her seven-year-old brother recites “Hope is the thing with feathers” by Dickinson, there is no doubt you will hear her little high-pitched voice whisper, “that perches in the soul.”

This routine has taken years to establish. When we decided to homeschool, there was no one to guide us. We felt absolutely alone in our choice to be Catholic homeschoolers. No family member or friend had done something so drastic as to take their child out of traditional schooling. We were both teachers, but our experience was only in the traditional systems. Of course, the internet search made things better, and soon we were ordering and receiving the “boxed curriculum.”

83940 ver0 OUR FIRST TWO, we homeschooled from the “curriculum.” In a way, buying the box was a little like buying what the traditional schools buy, doing what regular schools do. Our days looked “traditional”: adult teaches, child reads the lesson, some interaction to clarify what might confuse, and the child finishes the practice worksheet. If the twenty-five addition problems were unfinished or had many mistakes, I’d feel we’d failed for the day.

Yet as I continued to research in those first two years, a group of educational practices caught my attention. I learned to think “outside the box”. Without delving into the pedagogical details, I decided to transition into a “Charlotte Mason inspired” philosophy or curriculum. 1

Our “textbooks” weren’t cutting it. I needed to bring the most worthy texts, the most beautiful words, the most melodious songs, the brightest pictures, the most moving poems. Beauty was to be our teacher, and she is what their senses would devour. So in our third year of homeschooling, we did not buy a textbook-based, boxed curriculum, but instead we created a “feast of living books” about the subjects we needed to explore.

This is how we began to create a truly different type of homeschool, where our morning routine with Shopkin’ girl and the other four children became the anchor and launch of our day. We already had opening prayers and salutes, now we needed to add “the riches.” From now on, we would always have “a banquet.”



NOTES FROM THIS ARTICLE:

1   This meant many changes to the daily instructional routine, but what is most pertinent to this blog post is that it introduced me to the idea that every single text that my children consume and learn from—the literature and science and history—should be “a continual holiday to their door” or better yet, that I should only present “before them a feast, exquisitely served.”

Our focus in sharing this isn’t the pedagogy of homeschooling, but how that philosophy intersects with beauty, art, music, and the faith. There are many resources to learn about “living books” and Charlotte Mason. The quotes are from Mason’s six-volume series about education.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“What really matters in life is that we are loved by Christ and that we love Him in return. In comparison to the love of Jesus, everything else is secondary. And, without the love of Jesus, everything is useless.”

— Pope John Paul II (1979)

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