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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Musical Settings for the Blessing of the Holy Oils

Fr. David Friel · March 24, 2019

HE ANNUAL blessing and disbursement of oils within the diocese is an eloquent expression of ecclesiology. Just as Jesus is the Christ—the Anointed One—who came to bring to bring good news to the afflicted and to bind up the brokenhearted (Isaiah 61:1), so the bishop blesses the sacred oils in order to perpetuate the Lord’s ministry within the local Church. The gathering of the priests, deacons, religious, and lay faithful of the diocese, together with their bishop, expresses the unity to which the Church is called. Apportioning the oils to each parish after the Chrism Mass highlights the connection between the bishop and the whole of the ministerial activity that takes place within his see.

Anointing, of course, is an action central to many of the Church’s liturgies. The Church makes use of sacred oils to initiate new Christians and to heal the sick, to ordain new clergymen and to dedicate new churches.

The Chrism Mass, as a whole, is perhaps the most exemplary manifestation of the local Church and of the bishop’s ministry. That the blessing and consecration of the sacred oils is among the principal features of this liturgy reflects the oils’ tremendous importance in the life of the Church.

The prayers for blessing and consecrating the oils have been newly translated and published in a ritual book entitled, Order of Blessing the Oil of Catechumens and of the Sick and of Consecrating the Chrism. It is available exclusively through the USCCB bookstore. This book took effect for all dioceses in the USA on Ash Wednesday 2019. The new prayers, therefore, are normative for the Chrism Mass from 2019 onward.

LONG with the fresh translations, this volume includes musical settings for the prayer texts and responsories. In order to assist bishops and liturgical musicians, the USCCB Secretariat of Divine Worship has made PDF versions of these new chant settings freely available on their website.

The PDF chant settings include:

The hymn for the procession of the oils, O Redemptor (O Redeemer)

The prayer of blessing of the Oil of the Sick

The prayer of blessing of the Oil of Catechumens

The three texts related to consecration of the Chrism: 1) Invitation to Prayer, 2) Prayer of Consecration (first option), and 3) Prayer of Consecration (second option)

The website with the new musical settings also features useful catechesis on the significance of the rite of blessing and consecration. It offers recommendations, moreover, for the reception of the oils during the parish Mass of the Lord’s Supper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL Chants, Proper of the Mass in English, Singing the Mass, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In accordance with the ancient tradition of the Church, institution to the ministries of reader and acolyte is reserved to men.”

— Pope Saint Paul VI (15 August 1972)

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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