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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Musical Settings for the Blessing of the Holy Oils

Fr. David Friel · March 24, 2019

HE ANNUAL blessing and disbursement of oils within the diocese is an eloquent expression of ecclesiology. Just as Jesus is the Christ—the Anointed One—who came to bring to bring good news to the afflicted and to bind up the brokenhearted (Isaiah 61:1), so the bishop blesses the sacred oils in order to perpetuate the Lord’s ministry within the local Church. The gathering of the priests, deacons, religious, and lay faithful of the diocese, together with their bishop, expresses the unity to which the Church is called. Apportioning the oils to each parish after the Chrism Mass highlights the connection between the bishop and the whole of the ministerial activity that takes place within his see.

Anointing, of course, is an action central to many of the Church’s liturgies. The Church makes use of sacred oils to initiate new Christians and to heal the sick, to ordain new clergymen and to dedicate new churches.

The Chrism Mass, as a whole, is perhaps the most exemplary manifestation of the local Church and of the bishop’s ministry. That the blessing and consecration of the sacred oils is among the principal features of this liturgy reflects the oils’ tremendous importance in the life of the Church.

The prayers for blessing and consecrating the oils have been newly translated and published in a ritual book entitled, Order of Blessing the Oil of Catechumens and of the Sick and of Consecrating the Chrism. It is available exclusively through the USCCB bookstore. This book took effect for all dioceses in the USA on Ash Wednesday 2019. The new prayers, therefore, are normative for the Chrism Mass from 2019 onward.

LONG with the fresh translations, this volume includes musical settings for the prayer texts and responsories. In order to assist bishops and liturgical musicians, the USCCB Secretariat of Divine Worship has made PDF versions of these new chant settings freely available on their website.

The PDF chant settings include:

The hymn for the procession of the oils, O Redemptor (O Redeemer)

The prayer of blessing of the Oil of the Sick

The prayer of blessing of the Oil of Catechumens

The three texts related to consecration of the Chrism: 1) Invitation to Prayer, 2) Prayer of Consecration (first option), and 3) Prayer of Consecration (second option)

The website with the new musical settings also features useful catechesis on the significance of the rite of blessing and consecration. It offers recommendations, moreover, for the reception of the oils during the parish Mass of the Lord’s Supper.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL Chants, Proper of the Mass in English, Singing the Mass, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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