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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New England Catholic Choral Festival & Mass • 2019

Richard J. Clark · January 11, 2019

T’S NEVER just about the music. Singing liturgical music from the great rich heritage of our Roman Catholic faith is about something else: nurturing faith through the Sacred Liturgy.

If you are not familiar with the American Federation Pueri Cantores choir festivals, I urge you to explore this opportunity which is open to any young singers. Girls and boys (grades 4-12) are welcome to sing in the New England Choral Festival and Mass. This festival is not reserved for an exclusive club of singers. Rather it is wide open to those hoping to learn more about our rich heritage of Roman Catholic sacred music from Gregorian Chant to sacred music of the present day. The festival culminates with hundreds of students combining as one choir singing for the Mass. This takes place in a nurturing, positive, and joyful environment!

As the rehearsal accompanist and organist for last year’s Festival in Boston, I can attest to this wonderfully positive environment. (As an adult, even I greatly enjoyed it and could learn from it!) Cardinal Seán Patrick O’Malley was last year’s celebrant and homilist which added to a marvelously faith filled experience. (My hope is to host the 2020 New England Festival at the newly renovated Cathedral of the Holy Cross. Stay tuned.)

HIS YEAR’S New England Festival will take place Saturday, April 6, 2019 from 11am culminating with Mass at 5:15 pm • St. Mary’s Church, 12 William St., Newport, RI 02840. The church is gorgeous, and interestingly is the site of the wedding of President John F. Kennedy and Jacqueline Kennedy.

• Download information, Schedule, registration, repertoire, etc. here:
• PDF Download • New England Catholic Youth Choral Festival and Mass • 2019.

• You can also download the Public Domain music for the festival here. Recordings made available to make this process much easier.

WHY PARTICIPATE?

“Participation in Pueri Cantores can be a formational and transformational experience through the Liturgy for both choristers and conductors.” (Pueri Cantores website)

• Offer your singers a combined worship experience with Catholic school and parish youth choirs from all around the region and network with your conductor colleagues

• Teach accessible, historically balanced repertoire from the great treasury of Catholic sacred music that can be incorporated into your choir’s repertoire

• Receive advanced conducting training from one of the leading Catholic conductors in the nation

• School conductors whose choirs participate will be offered 8 Professional Development Credits by AFPC, corporate partner of the National Catholic Educational Association (NCEA)

I urge all educators, conductors, and parents to consider taking part in this one-day experience. Its joy may resonate for years to come.

HIS YEAR’S clinician will be Dr. Steven R. Seigart, conductor, organist, and composer based in the NYC area. An extraordinary talent, he is currently the Director of Music at The Church of Saint Joseph in Bronxville, NY, where he directs five choirs, founded the period-instrument Orchestra of Saint Joseph, and oversees the St. Joseph Concert Series.

We hope to see you there!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: American Federation Pueri Cantores Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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