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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

2019 • Announcement of Easter & Moveable Feasts • Novus Ordo

Richard J. Clark · December 14, 2018

AUL J. MURRAY, Director of Music and Organist of Church of Our Saviour, New York, New York, has set the Announcement of Easter and the Moveable Feasts for the Novus Ordo. He has kindly made it available here for free download. While, the chant can be found in the Roman Missal Appendix, it is very convenient to have the dates already in the music!

Note, there are two versions: one for Dioceses that celebrate The Solemnity of the Ascension of the Lord on a Thursday, and those that move it to Sunday.

N KEEPING WITH an ancient practice of the Holy Church, the moveable feasts of the coming year are announced following the Gospel. Interestingly, the rubrics indicate that the Gospel be sung! (However, even if read, that should not stop one from singing the proclamation):

On the Epiphany of the Lord, after the singing of the Gospel, a Deacon or cantor, in keeping with an ancient practice of the Holy Church, announces from the ambo the moveable feasts of the current year according to this formula:

This Epiphany proclamation is a reminder of the centrality of the resurrection of the Lord in the liturgical year and the importance of the great mysteries of faith, which are celebrated each year. Although optional, this chant is a unique expression (and fun) that connects our present day to our ancient roots of the Church. It is a tradition that reminds of who we are, where we come from, and where we are going!

• Dioceses that celebrate Ascension on Thursday • (in the United States: Ecclesiastical Provinces of Boston, Hartford, New York, Newark, Omaha, Philadelphia):  
• PDF Download • The Announcement of Easter and the Moveable Feasts • 2019
.

• Dioceses that celebrate Ascension on Sunday:
• PDF Download • The Announcement of Easter and the Moveable Feasts • 2019
.

      * *  YouTube • Epiphany Proclamation • DEMO • (Ascension on a SUNDAY)

This chant is a wonderful way to add additional reverence to the liturgy. By leading us through key moments of salvation history, this proclamation reminds us—on the very day in which Christ is revealed to all nations—of Christ’s redeeming power in all our lives and to the whole world.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

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