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Views from the Choir Loft

Fulton Sheen on the Priesthood of the Baptized

Fr. David Friel · November 4, 2018

ECENTLY, I delivered a paper at the annual conference of the Society for Catholic Liturgy. The theme of the conference was Romano Guardini, in honor of the centenary of his classic book, The Spirit of the Liturgy (1918). The title of my presentation was “Romano Guardini and the Priesthood of the Baptized.”

In researching this topic, I have grown more keenly aware of the need for renewal in the common understanding of the baptismal priesthood. The Second Vatican Council speaks very clearly about the subject in Lumen gentium, nos. 10–11. Too often, however, it seems that we are hesitant to speak about the priesthood of the baptized, for fear that it might somehow denigrate or take away from the ministerial priesthood. A healthier view might see the necessity of understanding both forms of the priesthood together.

Disclaimer: I may be the only member of the millennial generation who still regularly uses cassette tapes. Most of the cassettes I own are retreats and catechism talks by Servant of God Fulton J. Sheen. While listening to one of his retreats, given to the presbyterate of Gary, Indiana in 1973, I was struck by a section in which he speaks forcefully, albeit indirectly, about the need for the laity to recover a sense of their share in the baptismal priesthood.

Although the retreat was directed chiefly at priests, there were also religious sisters and members of the laity present for the conferences. Here is my transcription of Sheen’s comments directed toward the laity:

Lay people: you are Christ. You belong to the royal priesthood. The royal priesthood differs from the hierarchical priesthood in two ways. First of all, you make spiritual offerings, we [ministerial priests] make a Eucharistic offering. Secondly, we are directly united with Christ the Head, you are in the Body and then are united to Christ the Head through His priests. But that we need not stress.

What I wish to emphasize is that, simply because you have the faith, you offer something. You are not just coming here and offering Mass, offering something in the collection. You’ve also got to be victims! And this we’ve forgotten. . . . We are all victims. . . . We are tied up to Christ, Who offers Himself. 1

In Sheen’s view, the difference between the baptismal and ministerial priesthoods was not in need of stress. It was, rather, the commonality between them—namely, the ability to unite oneself to the sacrifice of Christ—that required attention.

In Ratzinger’s book, The Spirit of the Liturgy, titled in homage to Guardini’s text, the future pontiff argues that, during the canon, the human action steps back in order to allow the divine action to take priority. Ratzinger goes even so far as to observe: “In this real ‘action,’ in this prayerful approach to participation, there is no difference between priests and laity. . . . Participation in that which no human being does, that which the Lord himself and only he can do—that is equally for everyone.” 2

Renewal of this sense among the faithful, I have found, was a prevailing goal of the Liturgical Movement of the early twentieth century. Even now, in the early twenty-first century, such renewal remains a largely unfulfilled goal.

HILE composing this blog, I discovered that Sheen’s retreat for the Diocese of Gary, IN is now available on CD. I would highly recommend this retreat, as well as his famous Dublin retreat, to priests and seminarians. I have found much spiritual profit—as well as homiletic material—in these retreats.

Details of next year’s conference of the Society for Catholic Liturgy have already been announced. The theme will be The Sacred Liturgy and the Family, and it will be held at the Cathedral of Ss. Peter and Paul in Providence, RI from September 26–28, 2019. The call for papers is posted on the SCL website.




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Bishop Sheen Retreat for Clergy, cassette 1, side 2, “Christ, Priest and Victim” (North Haledon, NJ: Keep the Faith, Inc., 1973).

2   Joseph Ratzinger, The Spirit of the Liturgy, trans. John Saward (San Francisco: Ignatius Press, 2000), 174.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
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    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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