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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fulton Sheen on the Priesthood of the Baptized

Fr. David Friel · November 4, 2018

ECENTLY, I delivered a paper at the annual conference of the Society for Catholic Liturgy. The theme of the conference was Romano Guardini, in honor of the centenary of his classic book, The Spirit of the Liturgy (1918). The title of my presentation was “Romano Guardini and the Priesthood of the Baptized.”

In researching this topic, I have grown more keenly aware of the need for renewal in the common understanding of the baptismal priesthood. The Second Vatican Council speaks very clearly about the subject in Lumen gentium, nos. 10–11. Too often, however, it seems that we are hesitant to speak about the priesthood of the baptized, for fear that it might somehow denigrate or take away from the ministerial priesthood. A healthier view might see the necessity of understanding both forms of the priesthood together.

Disclaimer: I may be the only member of the millennial generation who still regularly uses cassette tapes. Most of the cassettes I own are retreats and catechism talks by Servant of God Fulton J. Sheen. While listening to one of his retreats, given to the presbyterate of Gary, Indiana in 1973, I was struck by a section in which he speaks forcefully, albeit indirectly, about the need for the laity to recover a sense of their share in the baptismal priesthood.

Although the retreat was directed chiefly at priests, there were also religious sisters and members of the laity present for the conferences. Here is my transcription of Sheen’s comments directed toward the laity:

Lay people: you are Christ. You belong to the royal priesthood. The royal priesthood differs from the hierarchical priesthood in two ways. First of all, you make spiritual offerings, we [ministerial priests] make a Eucharistic offering. Secondly, we are directly united with Christ the Head, you are in the Body and then are united to Christ the Head through His priests. But that we need not stress.

What I wish to emphasize is that, simply because you have the faith, you offer something. You are not just coming here and offering Mass, offering something in the collection. You’ve also got to be victims! And this we’ve forgotten. . . . We are all victims. . . . We are tied up to Christ, Who offers Himself. 1

In Sheen’s view, the difference between the baptismal and ministerial priesthoods was not in need of stress. It was, rather, the commonality between them—namely, the ability to unite oneself to the sacrifice of Christ—that required attention.

In Ratzinger’s book, The Spirit of the Liturgy, titled in homage to Guardini’s text, the future pontiff argues that, during the canon, the human action steps back in order to allow the divine action to take priority. Ratzinger goes even so far as to observe: “In this real ‘action,’ in this prayerful approach to participation, there is no difference between priests and laity. . . . Participation in that which no human being does, that which the Lord himself and only he can do—that is equally for everyone.” 2

Renewal of this sense among the faithful, I have found, was a prevailing goal of the Liturgical Movement of the early twentieth century. Even now, in the early twenty-first century, such renewal remains a largely unfulfilled goal.

HILE composing this blog, I discovered that Sheen’s retreat for the Diocese of Gary, IN is now available on CD. I would highly recommend this retreat, as well as his famous Dublin retreat, to priests and seminarians. I have found much spiritual profit—as well as homiletic material—in these retreats.

Details of next year’s conference of the Society for Catholic Liturgy have already been announced. The theme will be The Sacred Liturgy and the Family, and it will be held at the Cathedral of Ss. Peter and Paul in Providence, RI from September 26–28, 2019. The call for papers is posted on the SCL website.




NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Bishop Sheen Retreat for Clergy, cassette 1, side 2, “Christ, Priest and Victim” (North Haledon, NJ: Keep the Faith, Inc., 1973).

2   Joseph Ratzinger, The Spirit of the Liturgy, trans. John Saward (San Francisco: Ignatius Press, 2000), 174.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Translator has not followed any existing version exactly in the rendering of the Holy Scripture. The version, or rather series of versions—for there are many different recensions of the text,—generally called the Doway Bible, does not much commend itself to the English ear, and is indeed, especially in the earlier recensions, difficult to understand for any one who does not know Latin, and indeed other languages also…”

— John Crichton-Stuart (27 June 1879)

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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