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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Acompañamientos • MISAL ROMANO, Tercera Edición

Richard J. Clark · October 19, 2018

HE NEW Spanish translation of the Roman Missal, Third Edition for the United States has been available since May, 2018. Its implementation becomes mandatory in the United States on the First Sunday of Advent, December 2, 2018. (Its use has been optional since the Vigil of Pentecost, 2018)

Like the English Translation, implemented in 2011, the new Misal Romano, tercia edición contains a great deal more music than any previous edition.

The Zipoli Institute has posted a wonderfully useful site that includes (unaccompanied) recordings here. You can hear them in higher and lower pitched tones.

The Archdiocese of New York has outlined a number of features in the new edition. Among them:

“In an effort to encourage the singing of the Ordinary of the Mass, the US Misal Romano will include more musical notation than any other Spanish language Misal Romano currently used throughout the world.”

TO THAT END, I HAVE ARRANGED some accompaniments for the chants for the Ordinary of the Mass from the Misal Romano. These include guitar chords.

      * *   Acompañamientos para el Ordinario de la Misa • Misal Romano, tercia edición

In addition, the United States Conference of Catholic Bishops (USCCB) has posted free downloads of all the chants of the Mass with many accompaniments for guitar and organ. These accompaniments were prepared by Marc Cerisier, who also beautifully engraved all of the music found in the misal.

You may find either set of accompaniments useful. While I often find congregations sing more easily to unaccompanied chant, accompaniments can be helpful especially in the learning stages. Furthermore, guitar accompaniment alone can be useful to allow more freedom with the natural accents and rhythms the language. (Guitar and light strings on the organ can also be a very beautiful combination.)

NOTE THAT THE USCCB ACCOMPANIMENTS are written in the “key” of the Vatican Edition. Of course these pitches are really only indicative of the mode and can be sung with any comfortable starting note. As such, it is wise to make adjustments as necessary to suit your congregation.

My accompaniments are taken down a step in most cases to be more comfortable for most congregations. I also added some rhythms indicated by Solesmes or where obvious for the text. (The Roman Missal chants do not have any indications for rhythm as you will see in the USCCB scores. One may find amusing that Theodore Marier would affectionately refer to this approach to notation as “announcing pitches.”)

Finally, I find the two most common mistakes are singing such chants too high and too slowly. This forces a congregation to push and support breath in ways that they are not equipped to do. The result is the people give up on singing altogether. So, sing it lower if necessary, and move the chant along with energy! Finally, take the cue from the people, and allow them to sing naturally.

ADDENDUM
You can also find a number of accompaniments to the Roman Missal Chants in English here

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant Accompaniments, ICEL Chants, ICEL New Translation of the Roman Missal, Misal Romano, Zipoli Institute Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

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  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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