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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Join a Choir! Now!

Richard J. Clark · August 31, 2018

RJC_FaureRequiem R. ALFRED CALABRESE hit the nail on the head this week when he published Saving the Church, One Choir at a Time. Read his article before you read mine (below), especially his three wonderful suggestions on what musicians can do. He also states, “Do not be fooled into thinking there is nothing we can do, lowly church musicians that we may be. We have the power because we’re on the ground, in the parishes. We have credibility…Now is the time for action.”

If you are thinking about singing in a choir, now is the time to join one! Join your local parish choir. Just sing. The camaraderie and endorphin rush alone is worth it!) If you are already in a choir, know that your sense of purpose is greater than you know.

Having served in the Archdiocese of Boston in 2002 when the crises hit, I recall that as we made music each week, we made music more fervently. It was a deeply profound prayer that brought us closer to God in time of pain and, yes, anger. It was a prayer no one could take away from us, nor from the faithful who continued to pray at Mass despite frustration, anger and despair.

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know. There is no line between sacred music and prayer. Music IS prayer. Preparation is prayer. Do it with love because God is love and God is a prayer.

Join a choir! Rehearsals are the prayer that bond musicians together as one with God.

Y NOW, MANY OF YOU ARE AWARE of my other recent professional developments. Soon I will begin a new role as Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. As a new position in Boston, the Director of Music of the Archdiocese is not a position of power or prestige but of service. Nor is it to micromanage 280+ parishes in the Archdiocese, but to offer guidance and support—liturgical, musical, and pastoral. There will be more about this later at an appropriate time.

While I go with joy to serve in this new role, truth be told, I am in no celebratory mood at this time. My heart breaks, and words cannot describe the unspeakable harm and pain suffered by too many for too long. Fury, anger, and exasperation barely begin to describe the mood of the faithful today.

However, these circumstances only punctuate a call to serve. Giving of ourselves in service is why we do what we do.

IF YOU LIVE AROUND BOSTON, consider joining your parish choir, the Archdiocesan Choir or the Cathedral Choir:

• THE CATHEDRAL OF THE HOLY CROSS CHOIR WELCOMES NEW SINGERS! (11:30 a.m. Mass.) Ability to read is necessary, but it doesn’t have to be stellar at first. It will improve greatly over time. Ability to sing straight tone when called upon is a huge help. If interested click here to email me.

My first Sunday at the Cathedral of the Holy Cross is Sunday, September 16th. Most fittingly the Cathedral will celebrate the Feast of the Exaltation of the Holy Cross. (The Introit Chant Nos autem gloriari is in order!) As it is the Titular Feast of the Cathedral, the celebration is moved to the nearest Sunday. (Sept. 14)

• THE ARCHDIOCESAN CHOIR WELCOMES NEW SINGERS! Singers from all over the Archdiocese are welcome to sing at special Archdiocesan events.

Coming up soon: Permanent Diaconate Ordination, Saturday, September 29th at 10 a.m. With the Cathedral still under renovation, it will take place at the beautiful Holy Name Parish in West Roxbury. If interested click here to email me.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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