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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

My Trip to Canada

Andrew Leung · July 26, 2018

CTL My Trip to Canada APPOLOGIZE for haven’t been posting for a few weeks. I was on a trip to Canada with my family. We stayed in Toronto for the most part, and we also visited Montreal and Quebec City as well. I must say, after being in Asia for two years, it’s nice to see some gorgeous churches built in the European style.

I had the opportunity to attend the weekly Solemn Mass at Holy Family Parish, where the Oratorian community of Toronto is located. The Mass was very well-attended and the choir sang beautifully! The professional singers of the parish sing weekly for the Solemn Mass and the Solemn Vespers. I was told that about 40 seminarians of the community would join the Vespers during the school year and I can imagine that must be quite a powerful experience for the parishioners.

I got to chat with Dr. Aaron James, the director of music, after Mass for a little bit and he told me about the history of the church and their pipe organ. The original Holy Family Church was built in 1902 and was destroyed by a fire in 1997. It was the rebuilt in 1999 and dedicated in 2001. Their organ, originally built for a residence, was given to the newly constructed church.

Another very special church I got to visit when I was in Toronto was the Cathedral Basilica of St. Michael. The interior of the cathedral is stunningly beautiful. Right across the street from the cathedral is the St. Michael’s Choir School. Unfortunately, I didn’t get to listen to their boys’ choir. The choir school was founded in 1937 by Monsignor John Edward Ronan. Boys and young men are trained in the art of music there and they play a prominent role in the cathedral’s music program. Here is a recording of the choir from 2016, and you can find more videos on their YouTube Channel.

If you ever get a chance, try to attend a Mass at the Toronto Oratory and the St. Michael’s Cathedral Basilica! Finally, I leave you with some pictures of the churches I visited during the trip.

CTL Canadian Church 1 CTL Canadian Church 2 CTL Canadian Church 3 CTL Canadian Church 4 CTL Canadian Church 5 CTL Canadian Church 6 CTL Canadian Church 7 CTL Canadian Church 8 CTL Canadian Church 9
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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