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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Trip to Canada

Andrew Leung · July 26, 2018

CTL My Trip to Canada APPOLOGIZE for haven’t been posting for a few weeks. I was on a trip to Canada with my family. We stayed in Toronto for the most part, and we also visited Montreal and Quebec City as well. I must say, after being in Asia for two years, it’s nice to see some gorgeous churches built in the European style.

I had the opportunity to attend the weekly Solemn Mass at Holy Family Parish, where the Oratorian community of Toronto is located. The Mass was very well-attended and the choir sang beautifully! The professional singers of the parish sing weekly for the Solemn Mass and the Solemn Vespers. I was told that about 40 seminarians of the community would join the Vespers during the school year and I can imagine that must be quite a powerful experience for the parishioners.

I got to chat with Dr. Aaron James, the director of music, after Mass for a little bit and he told me about the history of the church and their pipe organ. The original Holy Family Church was built in 1902 and was destroyed by a fire in 1997. It was the rebuilt in 1999 and dedicated in 2001. Their organ, originally built for a residence, was given to the newly constructed church.

Another very special church I got to visit when I was in Toronto was the Cathedral Basilica of St. Michael. The interior of the cathedral is stunningly beautiful. Right across the street from the cathedral is the St. Michael’s Choir School. Unfortunately, I didn’t get to listen to their boys’ choir. The choir school was founded in 1937 by Monsignor John Edward Ronan. Boys and young men are trained in the art of music there and they play a prominent role in the cathedral’s music program. Here is a recording of the choir from 2016, and you can find more videos on their YouTube Channel.

If you ever get a chance, try to attend a Mass at the Toronto Oratory and the St. Michael’s Cathedral Basilica! Finally, I leave you with some pictures of the churches I visited during the trip.

CTL Canadian Church 1 CTL Canadian Church 2 CTL Canadian Church 3 CTL Canadian Church 4 CTL Canadian Church 5 CTL Canadian Church 6 CTL Canadian Church 7 CTL Canadian Church 8 CTL Canadian Church 9
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

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