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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Sung Canon

Dr. Lucas Tappan · July 11, 2018

88282 CMAA HROUGHOUT MY LIFE I have been spared the ghastliest of liturgical abuses and aberrations within Mass—and in most cases, I can even write that these celebrations were both valid and licit. Yet, like most of my generation, such liturgies left me wondering if there was more to my Catholic Faith. Thanks to the wonderful teaching and example of my parents, this was never of question of doubt in God, or in His Goodness, Truth or Beauty, mind you, but rather a series of questions beginning with why:

Why is the God of the universe—Whom I know to be all-powerful, all-knowing and all-loving—presented to me as an effeminate man who willingly sacrifices all of his Goodness, Truth and Beauty and real charity in order to be nice?

Why is holiness—intimate friendship with God—sacrificed for those greater “virtues” of tolerance and niceness?

Why is Heaven—our glorious patria, our eternal homeland, made present in a veiled manner at every Holy Mass—presented as a place of niceness (which to a boy of 13 and 14 is code for BORING)?

I still remember the first time my family attended a Mass in the Extraordinary Form my freshman year in high school. The music was of no particular quality and I couldn’t relate a word of Father’s homily any more, but I do specifically remember it being awe-some in the deepest sense of the word—the very opposite of BORING. The fact that I asked the aforementioned questions was a particular grace of God. Unfortunately most of my schoolmates experienced BORING and simply left the Church. They never knew there was more—infinitely more.

If we hope to address this particular problem in the Ordinary Form, short of returning wholesale to the Extraordinary Form (which is another topic all together), we must work to restore a sense of mystery, transcendence and awe to the Sacred Liturgy. Otherwise we run the risk of lying to the faithful in the pew about Who God is and what He has done for us.

I was fortunate enough to attend the Sacred Music Colloquium last month and experience the Ordinary Form celebrated in continuity with the Church’s great liturgical tradition, devoid of the mundane and banal, which so often paralyze the work of the Holy Spirit in the lives of the faithful. One particularly poignant moment I recall took place during the Canon of the Mass on the Feast of Sts. Peter and Paul, when the priest, facing ad orientem and devoid of any amplification, chanted the Canon of the Mass. I was immediately struck by the awe-someness of the moment and my soul was filled with peace as its usual restlessness and fight against the BORING was banished. I have often attended Mass in the Ordinary Form celebrated ad orientem but have still struggled with the constant talking on the part of the priest at the most intimate moment of Mass, especially when a microphone is involved. Yet chanted, the words of the Canon take flight as prayer as opposed to mere talking, and when sung without the aid of a microphone, the words almost force the person in the pew to listen more intently. Prayer becomes natural as God is brought to the fore.

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass. Perhaps those priests who have personally tried this might offer advice based upon their experiences. Regardless, continue to turn toward the Lord in your heart and wait for Him in the silence of your interior room.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

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