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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Sung Canon

Dr. Lucas Tappan · July 11, 2018

88282 CMAA HROUGHOUT MY LIFE I have been spared the ghastliest of liturgical abuses and aberrations within Mass—and in most cases, I can even write that these celebrations were both valid and licit. Yet, like most of my generation, such liturgies left me wondering if there was more to my Catholic Faith. Thanks to the wonderful teaching and example of my parents, this was never of question of doubt in God, or in His Goodness, Truth or Beauty, mind you, but rather a series of questions beginning with why:

Why is the God of the universe—Whom I know to be all-powerful, all-knowing and all-loving—presented to me as an effeminate man who willingly sacrifices all of his Goodness, Truth and Beauty and real charity in order to be nice?

Why is holiness—intimate friendship with God—sacrificed for those greater “virtues” of tolerance and niceness?

Why is Heaven—our glorious patria, our eternal homeland, made present in a veiled manner at every Holy Mass—presented as a place of niceness (which to a boy of 13 and 14 is code for BORING)?

I still remember the first time my family attended a Mass in the Extraordinary Form my freshman year in high school. The music was of no particular quality and I couldn’t relate a word of Father’s homily any more, but I do specifically remember it being awe-some in the deepest sense of the word—the very opposite of BORING. The fact that I asked the aforementioned questions was a particular grace of God. Unfortunately most of my schoolmates experienced BORING and simply left the Church. They never knew there was more—infinitely more.

If we hope to address this particular problem in the Ordinary Form, short of returning wholesale to the Extraordinary Form (which is another topic all together), we must work to restore a sense of mystery, transcendence and awe to the Sacred Liturgy. Otherwise we run the risk of lying to the faithful in the pew about Who God is and what He has done for us.

I was fortunate enough to attend the Sacred Music Colloquium last month and experience the Ordinary Form celebrated in continuity with the Church’s great liturgical tradition, devoid of the mundane and banal, which so often paralyze the work of the Holy Spirit in the lives of the faithful. One particularly poignant moment I recall took place during the Canon of the Mass on the Feast of Sts. Peter and Paul, when the priest, facing ad orientem and devoid of any amplification, chanted the Canon of the Mass. I was immediately struck by the awe-someness of the moment and my soul was filled with peace as its usual restlessness and fight against the BORING was banished. I have often attended Mass in the Ordinary Form celebrated ad orientem but have still struggled with the constant talking on the part of the priest at the most intimate moment of Mass, especially when a microphone is involved. Yet chanted, the words of the Canon take flight as prayer as opposed to mere talking, and when sung without the aid of a microphone, the words almost force the person in the pew to listen more intently. Prayer becomes natural as God is brought to the fore.

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass. Perhaps those priests who have personally tried this might offer advice based upon their experiences. Regardless, continue to turn toward the Lord in your heart and wait for Him in the silence of your interior room.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

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— Senator Eugene McCarthy (d. 2005)

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