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Views from the Choir Loft

Liturgy outside Liturgy

Fr. David Friel · March 25, 2018

UST RELEASED this month, a new book by Professor David W. Fagerberg presents a fascinating study of the liturgical theology of Alexander Schmemann. The new volume explores the interconnectivity of liturgy, theology, and piety in a collection of five very accessible lectures.

Schmemann (1921-1983) was a distinguished theologian and protopresbyter of the Orthodox Church. He served as the long-time dean of St. Vladimir’s Orthodox Theological Seminary in Crestwood, NY. His immensely popular book, For the Life of the World (1973), is particularly memorable for his reflection on man as homo adorans: “‘Homo sapiens,’ ‘homo faber’ . . . yes, but first of all, ‘homo adorans.’ The first and basic definition of man is that he is the priest. He stands at the center of the world and unifies it in his act of blessing God, of both receiving the world from God and offering it to God.” 1

Schmemann’s life and writings have been a major scholarly interest for Fagerberg, who is himself a liturgical theologian, lover of Chesterton, and professor at the University of Notre Dame. Among Fagerberg’s other significant books are Theologia Prima (2003), On Liturgical Asceticism (2013), and Consecrating the World: On Mundane Liturgical Theology (2016).

The new book is entitled Liturgy outside Liturgy: The Liturgical Theology of Fr. Alexander Schmemann. It is available on Amazon and elsewhere, both in paperback and electronic format.

Fagerberg explains in his introduction that this new book is a collection of five lectures given in January 2017. Three were given during the course of a seminar on Schmemann at The Academy of St. John in Sweden, while the other two were presented to a doctoral seminar and a group of lay faithful. The texts have not been altered from their format as oral presentations.

The first three lectures draw heavily upon texts written by Schmemann, while the latter two lectures present Fagerberg’s own thought drawn from Schmemann’s work and ideas.

A look at the table of contents will help to demonstrate the timeliness and interest of this book:

Foreword (Chad Hatfield, President of St. Vladimir’s Orthodox Theological Seminary)

Introduction

Part I: A Sketch of Alexander Schmemann’s Though on Liturgy, Theology, and Piety

Chapter 1: Should Liturgy Matter Outside the Church? Schmemann on the Study of Liturgy
Liturgy and the World
Defining Antinomy
The Kingdom and the World Meet in Liturgy
The Liturgical Mission to the World

Chapter 2: Can Theology be Done outside the Academy? Schmemann’s Concept of Theology
The East Path Not Taken
The Harder Path We Will Take
Liturgy as Ontological Condition for Theology
A Conversion Required

Chapter 3: Do We Need Liturgy in Our Life? Schmemann’s Connection between Liturgy and Spirituality
What Liturgical Piety is Not
What Liturgical Piety Is
Baptismal Foundations
Cosmic Priesthood
Conclusion

Part II

Chapter 4: Liturgy and the Consecration of the World
Liturgy and Cosmos
Liturgy and Anthropology
Liturgy and Hearts
Liturgy and History
Conclusion

Chapter 5: On Liturgy, Theology, and Asceticism
A Theological Definition of Liturgy
A Liturgical Definition of Theology
A Liturgical Theology of the World

For those not familiar with the writings of Alexander Schmemann, this new volume might well serve as an introduction. For those who are already familiar with Schmemann, Fagerberg’s work will help to raise new questions and synthesize thoughts from across Schmemann’s corpus.




NOTES FROM THIS ARTICLE:

1   Alexander Schmemann, For the Life of the World: Sacraments and Orthodoxy (Crestwood, NY: St Vladimir’s Seminary Press, 2002), 14-15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alexander Schmemann Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
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    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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