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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are Canonisations Infallible?

Guest Author · March 12, 2018

ONCERNING the veneration of departed members of the faithful, modern Catholic practice distinguishes beati (“blessed” to whom only a restricted public veneration is permitted) and sancti (who are entitled to public cult throughout the entire Church). In the early Church this distinction was “almost, if not quite, unknown.” In the era of the “Enlightenment,” during the course of the XVIIIth century, the detailed procedures leading to what we know today as “canonization” were collected by the learned scholar or private “doctor” PROSPERO LAMBERTINI OF BOLOGNA (1675/1758) in his classic four-volume work De servorum Dei Beatificatione et Beatorum Canonizatione (Bologna 1734/38). Later, the author reigned as Pope Benedict XIV from 1740 to 1758. Two centuries later, the lengthy legal process of determining heroic virtue, the truth of two miracles, consultation of witnesses, medical and theological experts etc. set forth in Lambertini’s tomes was reformed by the will of Papa Wojtyla, indeed the very concept of “sanctity” was changed by the Apostolic Constitution Divinus perfectionis Magister of 29 January 1983 = AAS 75 (1983) 349/55.

It is important to note that though both Benedict XIV (whilst merely a private doctor) and John Paul II (whilst reigning Pope) issued administrative norms, none of these is of creedal stature, as an article of faith. Analogously to the case of “limbo” for unbaptized infants, canonization is not an article of Catholic faith which must be believed by all who would be Catholic. Both are in fact simply theological opinions.

The First Vatican Council in 1870 solemnly defined papal primacy of jurisdiction and the infallible Magisterium of the Pope under specific conditions which if not completely fulfilled render a pope’s teachings non-infallible, meaning not that they say something that is wrong or deceitful, but that they are subject to the possibility of error. The dogmas defined by Vatican I call for fides divina, and we must believe them by divine faith. Non-infallible acts, however, such as canonisations, call for fides ecclesiastica, ecclesiastical faith, meaning belief on the basis of the principle that the Church as a whole cannot err in matters of faith and morals. Here, as elsewhere, exceptions do not cancel the rule! Canonisations are NOT dogmas, because they do not propose a truth of faith or morals contained in Revelation which is a necessary condition for infallibility. Dogmatic definitions never involve a new doctrine of faith or morals, since whatever a Pope defines must be contained in Holy Writ or in Tradition in order to be infallible. This is not the case with canonization. It also explains why Canon Law (both 1917 and 1983 Codes) does not contain the “doctrine” of canonization, nor do the Catechisms of the Catholic Church both old and new. Canonisation aims at and deals with FACTS concerning human belief and action, which are facts connected (at best) only indirectly with dogma. Note par. 2 of the Instruction Ad tuendam fidem of the CDF dated 18 May 1998!

These considerations scarcely lead to a rational conclusion that one should “leave the Church” in response to the 27 April 2014 canonisations. * To do so would be dashing, but supremely witless: God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it. O Lord, increase our faith!

***        

 

*   Original Title: The Thoughtful Theologian reflects on the canonisations of 27 April 2014 — originally published on 14 April 2014. Reprinted here without alterations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Are Canonizations Infallible Last Updated: September 7, 2025

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

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  • PDF Download • “Funeral Procession”
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  • PDF Download • Ascension “Entrance Chant”

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