• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Are Canonisations Infallible?

Guest Author · March 12, 2018

ONCERNING the veneration of departed members of the faithful, modern Catholic practice distinguishes beati (“blessed” to whom only a restricted public veneration is permitted) and sancti (who are entitled to public cult throughout the entire Church). In the early Church this distinction was “almost, if not quite, unknown.” In the era of the “Enlightenment,” during the course of the XVIIIth century, the detailed procedures leading to what we know today as “canonization” were collected by the learned scholar or private “doctor” PROSPERO LAMBERTINI OF BOLOGNA (1675/1758) in his classic four-volume work De servorum Dei Beatificatione et Beatorum Canonizatione (Bologna 1734/38). Later, the author reigned as Pope Benedict XIV from 1740 to 1758. Two centuries later, the lengthy legal process of determining heroic virtue, the truth of two miracles, consultation of witnesses, medical and theological experts etc. set forth in Lambertini’s tomes was reformed by the will of Papa Wojtyla, indeed the very concept of “sanctity” was changed by the Apostolic Constitution Divinus perfectionis Magister of 29 January 1983 = AAS 75 (1983) 349/55.

It is important to note that though both Benedict XIV (whilst merely a private doctor) and John Paul II (whilst reigning Pope) issued administrative norms, none of these is of creedal stature, as an article of faith. Analogously to the case of “limbo” for unbaptized infants, canonization is not an article of Catholic faith which must be believed by all who would be Catholic. Both are in fact simply theological opinions.

The First Vatican Council in 1870 solemnly defined papal primacy of jurisdiction and the infallible Magisterium of the Pope under specific conditions which if not completely fulfilled render a pope’s teachings non-infallible, meaning not that they say something that is wrong or deceitful, but that they are subject to the possibility of error. The dogmas defined by Vatican I call for fides divina, and we must believe them by divine faith. Non-infallible acts, however, such as canonisations, call for fides ecclesiastica, ecclesiastical faith, meaning belief on the basis of the principle that the Church as a whole cannot err in matters of faith and morals. Here, as elsewhere, exceptions do not cancel the rule! Canonisations are NOT dogmas, because they do not propose a truth of faith or morals contained in Revelation which is a necessary condition for infallibility. Dogmatic definitions never involve a new doctrine of faith or morals, since whatever a Pope defines must be contained in Holy Writ or in Tradition in order to be infallible. This is not the case with canonization. It also explains why Canon Law (both 1917 and 1983 Codes) does not contain the “doctrine” of canonization, nor do the Catechisms of the Catholic Church both old and new. Canonisation aims at and deals with FACTS concerning human belief and action, which are facts connected (at best) only indirectly with dogma. Note par. 2 of the Instruction Ad tuendam fidem of the CDF dated 18 May 1998!

These considerations scarcely lead to a rational conclusion that one should “leave the Church” in response to the 27 April 2014 canonisations. * To do so would be dashing, but supremely witless: God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it. O Lord, increase our faith!

***        

 

*   Original Title: The Thoughtful Theologian reflects on the canonisations of 27 April 2014 — originally published on 14 April 2014. Reprinted here without alterations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Are Canonizations Infallible Last Updated: September 7, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.