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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

Richard J. Clark · March 2, 2018

ELEBRATING someone’s 600th birthday is a rare event. To do so over the course of five or six years is an historical rarity. This is what the Blue Heron ensemble and Music Director, Scott Metcalfe have set out to do, performing the complete works of Johannes Ockeghem (c.1420-1497) over the course of thirteen or fourteen concerts that also includes many other composers

Refreshing is Metcalfe’s attitude (and public assertion), that he and the ensemble are growing with new insights through this project. Performing concerts that feature many composers in addition to Ockeghem, he states that once the cycle is complete, they might just start all over again “because we are learning so much.”

• Boston Globe review from St. Cecilia Parish, Boston, Thursday, March 1, 2018: Blue Heron continues remarkable journey through Ockeghem.

Widely acclaimed by the New York Times, The New Yorker, The Boston Globe, and others, Blue Heron is shining the light on music that is rarely performed despite being on par with the greatest of all time. Metcalfe asserts, “He is in every way a composer of Bach’s stature and accomplishment both technically and expressively, someone whose music is rich at every level.” Called “the Bach of the 15th Century” Metcalfe also reminds us that Bach is truly “the Ockeghem of the 18th Century.”

The rich inventiveness of Ockeghem’s counterpoint is certainly a high point of all of Western Music. Blue Heron animates these heights with pristine clarity and passion.

      * *   Listen to a recent broadcast on WCRB FM of a live performance at First Church in Cambridge, Massachusetts here.

      * *  Listen to Blue Heron and Scott Metcalfe compare Ockeghem to Bach:

      * *  Listen to here to the Credo from Missa Ecce ancilla domini by Ockeghem:

With a recent performance at St. Cecilia Church in Boston and a performance tonight at St. Andrew’s Episcopal Church in Wellesley, Massachusetts (7:30pm), do not miss their upcoming performance at First Church in Cambridge on Saturday, March 3, 2018 • 8 PM. See info here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

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  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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