• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Smoke of Satan

Andrew Leung · February 22, 2018

CTL Smoke of Satan ATELY, the quote of Pope Bl. Paul VI, “The smoke of Satan has entered the Church” keep popping into my head as the dispute over the Vatican-Communist China relationship continues to develop. The details of the “agreement” has never been fully revealed by the officials. However, based on what we know, I think the faith and salvation of many Chinese people, not just the ones in Mainland China, but also those who are living in Taiwan, Hong Kong and Macau, are at risk. I pray that the Holy Spirit will guide the Church to make the right decision and that God’s will be done.

In the meantime, I have been reflecting on “the smoke of Satan” that appears in different aspects of life, including within our liturgical life. What I am about to write might seemed very radical, but I think it is worth contemplating on personally. I am not trying to condemn anyone, but to simply reflect on the way (attitude) of our participation in the liturgy.

Bl. Paul VI was referring to the state of the Church and the confusion after the Council when he spoke of “the smoke of Satan” in 1972. Similarly, I found “the smoke” in some of the post-Vatican II liturgical practices. These practices are not necessarily products of the Council, but rather practices that people invented after the Council. For example, there are people who advocate and insist that there is no need to kneel for our Lord, whether it’s during the consecration, when we receive the precious Body and Blood of Christ, or when we pass in front of the tabernacle. Isn’t that what Satan and the fallen angels did: refuse to bow down in front of our God? Do you think that the versus populum orientation might more likely to create temptations for the priests to turn the Mass into a “self-centered show”?

Obviously, “the smoke” can also appear in other forms of temptations like the collecting of vestments or vessels for personal glory; or when we sing and play music at Mass for our own glory or pleasure. By the way, I totally agree with what Fr. Rutler said in the recent interview regarding to rock music, and I think it should never be brought into the liturgy. Basically, whenever we are not praying and are being self-centered during the Mass, “the smoke of Satan” enters the liturgy. So, let us be aware of this “smoke”, especially when we are serving in the liturgy. Let God be the center, and let Him be glorified.

Tu es Petrus by Robert Pearsall

You are Peter,
And upon this Rock I will build My Church:
and the gates of hell shall not overcome it.
And I will give you the keys to the kingdom of heaven.

HE SUCCESSORS OF ST. PETER have reminded over and over again about the importance of prayers in spiritual battles. Pope St. John Paul II said in his Regina Caeli address on April 24, 1994:

“May prayer strengthen us for the spiritual battle that the Letter to the Ephesians speaks of: ‘Be strong in the Lord and in the strength of his might’ (Ephesians 6:10). The Book of Revelation refers to this same battle, recalling before our eyes the image of St Michael the Archangel (cf. Revelation 12:7). Pope Leo XIII certainly had this picture in mind when, at the end of the last century (19th cent.), he brought in, throughout the Church, a special prayer to St Michael: ‘Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil…’ Although this prayer is no longer recited at the end of Mass, I ask everyone not to forget it and to recite it to obtain help in the battle against the forces of darkness and against the spirit of this world.”

On this Feast of the Chair of St. Peter, let us continue to pray for the Supreme Pontiff and the unity of the Church. Let us especially remember the faithful in China, especially those who are under persecution and are feeling abandoned.

Happy Feast Day!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.