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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mutuality vs. Male Headship within Marriage

Fr. David Friel · January 7, 2018

LENTY OF discussion has taken place within the Church over recent years on the topic of marriage. Some of this discussion was occasioned by the new English translation of the marriage ritual (published in 2016). Certainly much of the conversation has also been prompted by the 2014-2015 extraordinary synod on the family and Pope Francis’ post-synodal apostolic exhortation, Amoris laetitia (2016).

Recently, my research interests took me in the direction of marriage, also. I decided to study a host of liturgical rites for marriage throughout history in order to assess their approach to the relationship between husband and wife. In particular, I looked for evidence of rites that stress mutuality between spouses versus rites that stress the headship of the husband.

The result of my research is an article published in Antiphon: A Journal for Liturgical Renewal (vol. 21, no. 3, 252-289; full article available here). Antiphon is the journal of the Society for Catholic Liturgy, which bills itself as a multidisciplinary association of Catholic scholars, teachers, pastors, and professionals (including architects, musicians, etc.) that promotes scholarly study and practical renewal of the Church’s liturgy in the Anglophone world.

The title of my article is Mutuality and Male Headship: Liturgical Evidence from Marriage Rituals throughout History. It begins with consideration of the marriage rituals of the Roman Empire and Judaism before proceeding to those of the Christian East and West.

Summarizing the findings of this research is quite difficult, on account of the number of rites consulted and the widely disparate approaches they take. Nevertheless, the following paragraph from the article’s conclusion helps to convey some of what I discovered in concise fashion:

Generalizing quite broadly, the earliest Christian rites could be characterized by their ability to accept differentiation of roles together with equality. The rites of the middle period tend to stress the differences of roles to the exclusion of equality. Finally, in the more modern rites, there is a propensity toward the rejection of role differentiation in the name of total equality.1

As I have noted elsewhere, the marriage rite has historically proven itself to be very adaptable. This exploration of so many marriage rituals revealed to me anew the great richness of the Church’s liturgical theology on marriage.

The same issue of Antiphon also features:

1. An important analysis of Magnum principium by Msgr. Maurizio Barba, S.L.D. (“The Motu Proprio Magnum Principium on the Edition of Liturgical Books in the Vernacular Languages”)

2. An interesting argument for restoring proper order to the Sacraments of Initiation by Joshua Madden, Ph.D. (“‘Circa Aetatem Discretionis’: A Proposal in Favor of Restored Order Confirmation”)

3. A scriptural-liturgical approach to St. John’s Apocalypse by Ian G. Coleman, M.A. (“The Rubrics of Revelation: A Liturgical Reading”)

Access the full articles by becoming a subscriber to Antiphon or by requesting single issues of the journal here.




NOTES FROM THIS ARTICLE:

1   David M. Friel, “Mutuality and Male Headship: Liturgical Evidence from Marriage Rituals throughout History” Antiphon 21, no. 3 (2017): 287.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Antiphon Journal, Marriage Synod, Nuptial Mass Last Updated: January 22, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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