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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hillbilly Thomists

Fr. David Friel · January 28, 2018

UBLISHED in 1952, Wise Blood is a Southern Gothic novel by Catholic author Flannery O’Connor. Many early critics interpreted the work as a tale of despair and darkness. In a 1955 response to one letter writer, O’Connor objected: “Everybody who has read Wise Blood thinks I’m a hillbilly nihilist, whereas I would like to create the impression . . . that I’m a hillbilly Thomist.” 1

Thus was born the name of a banjo-bearing band of bluegrass-loving brothers.

The Hillbilly Thomists are a group of Dominicans friars (ten brothers, of whom two are priests) belonging to the Province of St. Joseph and living at their Dominican House of Studies in Washington, DC. It is also the title of the group’s CD released last month (available here).

The cover art (see below) features a historic photograph from the Dominican archives that depicts thirteen friars from the early 20th century, each wielding a banjo, guitar, mandolin, fiddle, or clarinet. Seen in this light, The Hillbilly Thomists are, perhaps, more traditional than they first seem.

So, which members of the Order of Preachers make up this unusual bluegrass band? The notes accompanying the CD identify the following members of the group:

Fr. Austin Litke, OP — Mandolin, guitar, & vocals
Fr. Thomas White, OP — Banjo, dulcimer, & vocals
Br. Justin Bolger, OP — Guitar, piano, accordion, bass, & vocals
Br. Constantius Sanders, OP — Vocals
Br. Timothy Danaher, OP — Vocals
Br. Brad Elliott, OP — Drums
Br. Peter Gautsch, OP — Mandolin, piano, guitar, & vocals
Br. Joseph Hagan, OP — Drums, washboard, & bodhrán
Br. Jonah Teller, OP — Guitar & vocals
and Br. Simon Teller, OP — Fiddle & vocals

In all, the album presents just over 40 minutes of musical delight. Only one of the tracks is an original song: “I’m a Dog,” written by Br. Justin, formerly a professional songwriter. Featuring a tuneful melody and creative lyrics, the song plays on the Dominican notion of the “hound of the Lord” (rooted in the similarity between the Latin words Dominicanus and Domini canis, which means “dog/hound of the Lord”).

Other standout tracks include the brothers’ a capella version of Amazing Grace, their soulful rendition of the spiritual Steal Away, and their animated finger-picking during the Scotch-Irish instrumental Saint Anne’s Reel.

ECEPTION has been unequivocally positive. The early popularity of the album is not based solely on its catching title or the novelty of Dominicans doing bluegrass.

The recording broke into the top 10 bluegrass albums on Billboard and reached the status of #1 selling folk album on Amazon for a time. One can also find glowing reviews on the pages of America, First Things, and Word on Fire.

Having listened to the album several times now, I am happy to echo the wide praise these friars have garnered since the release date (12 December 2017). Only occasionally lacking in polish, the album is characterized by truly excellent musicianship and impressive missionary zeal. The quality of the sound may cause listeners to forget that this music is made by men whose primary work is prayer and preaching, not riffing and recording.

Check out this music video featuring one of the album’s tracks, Poor Wayfaring Stranger:




NOTES FROM THIS ARTICLE:

1   Flannery O’Connor, The Habit of Being: Letters of Flannery O’Connor, ed. Sally Fitzgerald (New York: MacMillan, 1988), 81.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Recording Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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