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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Two Choral Works and Propers for Lent

Richard J. Clark · January 19, 2018


RJC_NowCHristThouSun NEW CHORAL ANTHEM for Lent, Now Christ, Thou Sun of Righteousness (SATB & Organ) is a setting of Iam, Christe, sol iustitiae traditionally sung at Lauds during Lent. It recognizes the need for repentance and awaits glorious redemption at Easter.

John Dryden’s (1631-1700) beautiful translation is set to lyric, chant-like melodies.

The score is available from The Sacred Music Press, a division of The Lorenz Corporation.

Order • View sample pages: Octavo • “Now Christ, Thou Sun of Righteousness” (for SATB Choir & Organ)

Listen here • Conducted by Max Murphy:


CHRISTE QUI LUX ES ET DIES (Christ, who art the light and day) is based on the ancient Compline Hymn for Lent, likely dating back to the Fourth Century. Although it was not retained in the Roman Breviary, its continued widespread use is perhaps attributed to its antiquity, exquisite poetry, and simple beauty, glorifying Christ as the World’s Light. With this universal theme, Its use may extend beyond Lent.

This setting utilizes two major themes: the opening choral statement and the ancient chant melody, both in naturally progressing keys. The opening theme provides an axis of symmetry, setting verses one, four, and seven, while the chant is the basis of verses two, three, five and six. The Amen recapitulates the chant theme inside a variation of the opening exposition. As such, the Light of Christ is proclaimed both deep within the soul and cried aloud for all.

Available at RJC Cecilia Music

Premiered by the The Seraphim Singers | Jennifer Lester, Director

First Church, Cambridge, Massachusetts | Recorded LIVE: February 7, 2014 at St. Cecilia Church, Boston, Massachusetts

Recording Engineer: Evan Landry

Additionally, you can check out and listen to Communion Antiphons for Lent and Easter here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

Recent Posts

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  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

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