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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Two Choral Works and Propers for Lent

Richard J. Clark · January 19, 2018


RJC_NowCHristThouSun NEW CHORAL ANTHEM for Lent, Now Christ, Thou Sun of Righteousness (SATB & Organ) is a setting of Iam, Christe, sol iustitiae traditionally sung at Lauds during Lent. It recognizes the need for repentance and awaits glorious redemption at Easter.

John Dryden’s (1631-1700) beautiful translation is set to lyric, chant-like melodies.

The score is available from The Sacred Music Press, a division of The Lorenz Corporation.

Order • View sample pages: Octavo • “Now Christ, Thou Sun of Righteousness” (for SATB Choir & Organ)

Listen here • Conducted by Max Murphy:


CHRISTE QUI LUX ES ET DIES (Christ, who art the light and day) is based on the ancient Compline Hymn for Lent, likely dating back to the Fourth Century. Although it was not retained in the Roman Breviary, its continued widespread use is perhaps attributed to its antiquity, exquisite poetry, and simple beauty, glorifying Christ as the World’s Light. With this universal theme, Its use may extend beyond Lent.

This setting utilizes two major themes: the opening choral statement and the ancient chant melody, both in naturally progressing keys. The opening theme provides an axis of symmetry, setting verses one, four, and seven, while the chant is the basis of verses two, three, five and six. The Amen recapitulates the chant theme inside a variation of the opening exposition. As such, the Light of Christ is proclaimed both deep within the soul and cried aloud for all.

Available at RJC Cecilia Music

Premiered by the The Seraphim Singers | Jennifer Lester, Director

First Church, Cambridge, Massachusetts | Recorded LIVE: February 7, 2014 at St. Cecilia Church, Boston, Massachusetts

Recording Engineer: Evan Landry

Additionally, you can check out and listen to Communion Antiphons for Lent and Easter here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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  • “Holy Name Hymn” (2-Voice Arrangement)

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