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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Revealed • Sacred Music Symposium Dates!

Corpus Christi Watershed · January 15, 2018

90710 Fr Josef Bisig • FSSP • Priestly Fraternity of Saint Peter FFICIAL DATES for the 2018 Sacred Music Symposium are: JUNE 18-22. And this year, in honor of the 30th anniversary of the Fraternity of Saint Peter, we have a very special guest: Fr. Josef Bisig.

FR. JOSEF BISIG played a crucial role in 1988, when Pope John Paul II established the FSSP. Elected as Superior General twice—the maximum allowed—he has generously agreed to offer the Symposium’s final Mass (22 June 2018).

The Symposium committee will begin accepting applications soon.

Follow this blog for details. If you subscribe to the CCW mailing list, you’ll receive exclusive information.

Examine incredible testimony (scroll to bottom) from last year’s attendees.

HE Sacred Music Symposium, sponsored by FSSP.la, will once again take place on the beautiful campus of St. Therese (1100 East Alhambra Road; Alhambra, California, 91801). Learn about St. Therese Carmelite School here.

EXCERPT • Intervention of Fr. Josef Bisig
Synod of European Bishops, 8 Oct 1999

WOULD LIKE to say a word about number 69 of the lnstrumentum laboris: we cannot identify ourselves with this image that is given of the traditionalist faithful. Our experience is another one: these faithful are helped by the traditional liturgical forms in their spirituality and feel themselves more closely united to the mysteries of the Cross and of the Resurrection, celebrated in the Holy Mass. Our priests who make every effort to center their priestly life around the Holy Sacrifice of Mass, exercise undeniably considerable attraction to youths who aspire to serve the Church as future priests.

In conclusion, it would seem to me that for a pastoral of hope, our Churches in Europe cannot put aside what makes up their spiritual patrimony; the Priestly Fraternity of Saint Peter was founded in an act of hope. Far from being nostalgic, its attachment to the Latin liturgical tradition is the bearer of a humble source of continuity. Thus, the living use of the Latin liturgy will have as its effect that of not allowing the language of the Church to be reduced to the literary form of official documents, but to allow a “Cor unum” and an “anima una” of those faithful to Christ.

Historial information about the Priestly Fraternity of St. Peter: The Fraternity was founded on July 18, 1988 at the Abbey of Hauterive (Switzerland) by a dozen priests and a score of seminarians. Shortly after the Fraternity’s foundation—and following upon a request by Cardinal Ratzinger—Bishop Joseph Stimpfle of Augsburg, Germany granted the Fraternity a home in Wigratzbad, a Marian shrine in Bavaria that now lodges the Fraternity’s European seminary. In the same month of October there arrived a handful of priests and some thirty seminarians ready to start “from scratch.” As of 15 January 2018, the FSSP has 437 members, including 293 incardinated priests.


Photo credit: John Aron.


Julia Garcia contributed to this article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

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  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

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