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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Revealed • Sacred Music Symposium Dates!

Corpus Christi Watershed · January 15, 2018

90710 Fr Josef Bisig • FSSP • Priestly Fraternity of Saint Peter FFICIAL DATES for the 2018 Sacred Music Symposium are: JUNE 18-22. And this year, in honor of the 30th anniversary of the Fraternity of Saint Peter, we have a very special guest: Fr. Josef Bisig.

FR. JOSEF BISIG played a crucial role in 1988, when Pope John Paul II established the FSSP. Elected as Superior General twice—the maximum allowed—he has generously agreed to offer the Symposium’s final Mass (22 June 2018).

The Symposium committee will begin accepting applications soon.

Follow this blog for details. If you subscribe to the CCW mailing list, you’ll receive exclusive information.

Examine incredible testimony (scroll to bottom) from last year’s attendees.

HE Sacred Music Symposium, sponsored by FSSP.la, will once again take place on the beautiful campus of St. Therese (1100 East Alhambra Road; Alhambra, California, 91801). Learn about St. Therese Carmelite School here.

EXCERPT • Intervention of Fr. Josef Bisig
Synod of European Bishops, 8 Oct 1999

WOULD LIKE to say a word about number 69 of the lnstrumentum laboris: we cannot identify ourselves with this image that is given of the traditionalist faithful. Our experience is another one: these faithful are helped by the traditional liturgical forms in their spirituality and feel themselves more closely united to the mysteries of the Cross and of the Resurrection, celebrated in the Holy Mass. Our priests who make every effort to center their priestly life around the Holy Sacrifice of Mass, exercise undeniably considerable attraction to youths who aspire to serve the Church as future priests.

In conclusion, it would seem to me that for a pastoral of hope, our Churches in Europe cannot put aside what makes up their spiritual patrimony; the Priestly Fraternity of Saint Peter was founded in an act of hope. Far from being nostalgic, its attachment to the Latin liturgical tradition is the bearer of a humble source of continuity. Thus, the living use of the Latin liturgy will have as its effect that of not allowing the language of the Church to be reduced to the literary form of official documents, but to allow a “Cor unum” and an “anima una” of those faithful to Christ.

Historial information about the Priestly Fraternity of St. Peter: The Fraternity was founded on July 18, 1988 at the Abbey of Hauterive (Switzerland) by a dozen priests and a score of seminarians. Shortly after the Fraternity’s foundation—and following upon a request by Cardinal Ratzinger—Bishop Joseph Stimpfle of Augsburg, Germany granted the Fraternity a home in Wigratzbad, a Marian shrine in Bavaria that now lodges the Fraternity’s European seminary. In the same month of October there arrived a handful of priests and some thirty seminarians ready to start “from scratch.” As of 15 January 2018, the FSSP has 437 members, including 293 incardinated priests.


Photo credit: John Aron.


Julia Garcia contributed to this article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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