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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Should Liturgy Be Practical?

Fr. David Friel · January 14, 2018

N THE PRESENT age, the sacred liturgy is often treated as a commodity. It becomes, in this way, a “thing” to be done or handled, regulated or exported. The usual result is that liturgy becomes pedestrian and its enactors become minimalists.

The minimalist approaches the worship of God from the standpoint of what must be done. This approach can be dangerous, as it risks prioritizing what is pragmatic over what is possible. Concomitant with such a shift in emphasis is the swift erosion of the transcendence that, by right, undergirds the liturgy.

Divine worship, however, ought to be regarded as much more than dry goods or raw material. The antidote to liturgical minimalism arises not from pragmatism, but from practicality (understood in a certain sense). Consider the distinction that Chesterton elucidates between what is “practical” and what is “practicable”:

If we mean by what is practical what is most immediately practicable, we mean merely what is easiest. In that sense St. Francis was very impractical, and his ultimate aims were very unworldly. But if we mean by practicality a preference for prompt effort and energy over doubt or delay, he was very practical indeed. (G.K. Chesterton, Saint Francis of Assisi)

There is a great need in our time for the Christian faithful to be “practical” in Chesterton’s second sense. To be practical, in these terms, does not mean to be pragmatic. Modern disciples, rather, must be practical in the sense of believers motivated toward “prompt effort and energy” in place of “doubt or delay.” This type of practicality could be understood as one’s response to that which is necessary. And what could be more necessary than divine worship? The worship of God is, indeed, essential to being Christian. Insofar as God is good and beneficent to man, man has the duty to respond in praise and thanksgiving. This is not merely a right or an opportunity, but truly an obligation.

Practicality in Chesterton’s first sense is inimical to truly Christian worship. The type of worship that starts and ends with the here-and-how is insipid. Liturgy that seeks primarily to be easy or relevant is, in the end, beige and uninspiring. The overall trajectory of church music in recent decades bears witness to this truth. Where liturgical musicians have most sought ease and relevance, the result has been the greatest banality.

Our Holy Father Emeritus once made this observation about liturgical music that favors utility over beauty and sacrality:

A Church which only makes use of utility music has fallen for what is, in fact, useless. . . . For her mission is a far higher one. As the Old Testament speaks of the Temple, the Church is to be the place of glory, and as such, too, the place where mankind’s cry of distress is brought to the ear of God. The Church must not settle down with what is merely comfortable and serviceable at the parish level; she must arouse the voice of the cosmos and, by glorifying the Creator, elicit the glory of the cosmos, itself, making it also glorious, beautiful, habitable, and beloved. (Joseph Cardinal Ratzinger, “On the Theological Basis of Church Music,” in The Feast of Faith)

The sacred liturgy is humanity’s corporate response to God and His goodness. What is necessary or appropriate for this activity is not always what is most practicable. The demands of the liturgy, in fact, are quite often very impracticable. It is the generous act of rendering an impracticable gift, however, that is most practically necessary and ultimately pleasing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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