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Views from the Choir Loft

Prayers of Preparation and Farewell

Fr. David Friel · November 5, 2017

E HAVE just passed the annual memorial of St. Charles Borromeo (November 4), the liturgical celebration of which includes one of my favorite passages in the Office of Readings. Drawn from a sermon given by the eminent, reforming bishop of Milan during the last synod he attended, the passage is an encouragement to priests to practice what they preach.

At one point, St. Charles asks: “Are you in charge of a parish? If so, do not neglect the parish of your own soul; do not give yourself to others so completely that you have nothing left for yourself. You have to be mindful of your people without becoming forgetful of yourself.”

In another section of the homily, St. Charles describes the situation of priests who wish to lead good lives, but find it difficult. He raises the example of a priest who complains that his mind is filled with a thousand distractions when he goes to pray his Office or to celebrate Mass. In response to this hypothetical priest, the preacher addresses three poignant questions: “But what was he doing in the sacristy before he came out for the Office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain collected?”

These questions could well figure into an examination of conscience, not only for priests, but for all who desire to pray wholeheartedly.

The question of what a priest is doing in the sacristy before Mass is a particularly penetrating question, and its answer has a direct effect on the fruitfulness of his prayer.

In an appendix of the Roman Missal, one finds a good selection of prayers to be prayed in the sacristy before and after Mass. They include the famous prayers of St. Ambrose and St. Thomas Aquinas, among others. Many saints and faithful Catholics have written similar prayers for the purposes of preparation and thanksgiving.

Two years ago, I posted a series of reflections on the vesting prayers that may be prayed by the priest before Mass. Just last month, NLM posted scans of the Præparatio ad Missam and Gratiarum Actio post Missam cards that traditionally hung in many sacristies.

Today, I would like to share two prayers that I have found personally beneficial. The first is a prayer of Bl. John Henry Cardinal Newman, to be prayed before Mass. It speaks to the Mother of God and asks for her assistance in entering into the sacred mysteries:

Præparatio ad Missam
O Holy Mother,
stand by me now at Mass time,
when Christ comes to me,
as thou didst minister to Thy infant Lord;
as thou didst hang upon His words when He grew up;
as thou wast found under His Cross.

Stand by me, Holy Mother,
that I may gain somewhat
of thy purity, thy innocence, thy faith,
and He may be the one object
of my love and my adoration,
as He was of thine.

The second prayer I would like to share is drawn from the Maronite tradition. This prayer is prayed by the priest at the end of every Divine Liturgy. It uses the literary device of apostrophe to speak directly to the altar:

Maronite Prayer of Farewell to the Altar
Remain in peace, O holy altar of God.
I hope to return to you in peace.
May the offering I have received from you forgive my sins
and prepare me to stand blameless
before the throne of Christ.
I know not whether I shall be able to return to you again to offer sacrifice.
Guard me, O Lord, and protect your holy Church,
that she may be the way to salvation and the light of the world.
Amen.

Following the encouragement of St. Charles Borromeo, may all of us remain solicitous to enter into the liturgy with attentive minds and hearts!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blessed John Henry Cardinal Newman, Maronite Liturgy, Vesting Prayers Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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