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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Prayers of Preparation and Farewell

Fr. David Friel · November 5, 2017

E HAVE just passed the annual memorial of St. Charles Borromeo (November 4), the liturgical celebration of which includes one of my favorite passages in the Office of Readings. Drawn from a sermon given by the eminent, reforming bishop of Milan during the last synod he attended, the passage is an encouragement to priests to practice what they preach.

At one point, St. Charles asks: “Are you in charge of a parish? If so, do not neglect the parish of your own soul; do not give yourself to others so completely that you have nothing left for yourself. You have to be mindful of your people without becoming forgetful of yourself.”

In another section of the homily, St. Charles describes the situation of priests who wish to lead good lives, but find it difficult. He raises the example of a priest who complains that his mind is filled with a thousand distractions when he goes to pray his Office or to celebrate Mass. In response to this hypothetical priest, the preacher addresses three poignant questions: “But what was he doing in the sacristy before he came out for the Office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain collected?”

These questions could well figure into an examination of conscience, not only for priests, but for all who desire to pray wholeheartedly.

The question of what a priest is doing in the sacristy before Mass is a particularly penetrating question, and its answer has a direct effect on the fruitfulness of his prayer.

In an appendix of the Roman Missal, one finds a good selection of prayers to be prayed in the sacristy before and after Mass. They include the famous prayers of St. Ambrose and St. Thomas Aquinas, among others. Many saints and faithful Catholics have written similar prayers for the purposes of preparation and thanksgiving.

Two years ago, I posted a series of reflections on the vesting prayers that may be prayed by the priest before Mass. Just last month, NLM posted scans of the Præparatio ad Missam and Gratiarum Actio post Missam cards that traditionally hung in many sacristies.

Today, I would like to share two prayers that I have found personally beneficial. The first is a prayer of Bl. John Henry Cardinal Newman, to be prayed before Mass. It speaks to the Mother of God and asks for her assistance in entering into the sacred mysteries:

Præparatio ad Missam
O Holy Mother,
stand by me now at Mass time,
when Christ comes to me,
as thou didst minister to Thy infant Lord;
as thou didst hang upon His words when He grew up;
as thou wast found under His Cross.

Stand by me, Holy Mother,
that I may gain somewhat
of thy purity, thy innocence, thy faith,
and He may be the one object
of my love and my adoration,
as He was of thine.

The second prayer I would like to share is drawn from the Maronite tradition. This prayer is prayed by the priest at the end of every Divine Liturgy. It uses the literary device of apostrophe to speak directly to the altar:

Maronite Prayer of Farewell to the Altar
Remain in peace, O holy altar of God.
I hope to return to you in peace.
May the offering I have received from you forgive my sins
and prepare me to stand blameless
before the throne of Christ.
I know not whether I shall be able to return to you again to offer sacrifice.
Guard me, O Lord, and protect your holy Church,
that she may be the way to salvation and the light of the world.
Amen.

Following the encouragement of St. Charles Borromeo, may all of us remain solicitous to enter into the liturgy with attentive minds and hearts!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Blessed John Henry Cardinal Newman, Maronite Liturgy, Vesting Prayers Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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