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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

18th Sunday after Pentecost (2nd in October)

Jeff Ostrowski · October 6, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles. Bring your family to the High Mass (SAINT VICTOR, 8634 Holloway Dr, West Hollywood, CA 90069) at 7:00pm every Sunday.


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Ladies sing on 2nd & 4th Sunday of the month, men on all others.

PDF Score (Singer)   •   Practice Audio (Singer)

Men should begin practicing the Introit for «19th Sunday after Pentecost», which can be found at St. René Goupil.


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)

Parts 1 + 2 are here with Solfège added. We have added Part 3.


GLORIA IN EXCELSIS

We will sing #5612.

Sometimes we sing Plainsong Gloria IX from the Campion Hymnals, accompanied by the organist score.


GRADUAL & ALLELUIA

We are currently using Mode IV for these:
18th Sunday after Pentecost

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We may sing #5984 by Machaut.

We also sometimes sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

We will sing the Palestrina #6962 (“Te saeculorum”)

Sometimes we sing #3496 paired with #2999.

Sometimes we sing Sanctus from Mass XIII. The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.


AGNUS DEI

We will sing #7554.

Before long we will begin work on a setting by Giovanni Gabrieli.


COMMUNION ANTIPHON

This will be sung by chosen soloists.


COMMUNION ORGAN

Organist.


COMMUNION OTHER

O Sanctissima.


RECESSIONAL HYMN   •   #911 O Glorious Maid, Exalted Far

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

FIFTH STATION • The Cyrenian helps Jesus carry the Cross

Joseph Cardinal Ratzinger

Simon of Cyrene is on his way home, returning from work, when he comes upon the sad procession of those condemned—for him, perhaps, it was a common sight. The soldiers force this rugged man from the country to carry the Cross on his own shoulders. How annoying he must have thought it to be suddenly caught up in the fate of those condemned men! He does what he must do, but reluctantly. Significantly, the Evangelist Mark does not only name him, but also his children, who were evidently known as Christians and as members of that community (cf. Mk 15:21). From this chance encounter, faith was born. The Cyrenian, walking beside Jesus and sharing the burden of the Cross, came to see that it was a grace to be able to accompany him to his crucifixion and to help him. The mystery of Jesus, silent and suffering, touched his heart. Jesus, whose divine love alone can redeem all humanity, wants us to share his Cross so that we can complete what is still lacking in his suffering (cf. Col 1:24). Whenever we show kindness to the suffering, the persecuted and defenseless, and share in their sufferings, we help to carry that same Cross of Jesus. In this way we obtain salvation, and help contribute to the salvation of the world.

Lord, you opened the eyes and heart of Simon of Cyrene, and you gave him, by his share in your Cross, the grace of faith. Help us to aid our neighbours in need, even when this interferes with our own plans and desires. Help us to realize that it is a grace to be able to share the cross of others and, in this way, know that we are walking with you along the way. Help us to appreciate with joy that, when we share in your suffering and the sufferings of this world, we become servants of salvation and are able to help build up your Body, the Church.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

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