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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Problem of Acedia

Dr. Lucas Tappan · October 10, 2017

LMT Acedia OR SOME TIME I have been engaged in the reading of a truly great little work, one I would heartily recommend to every reader of this blog, The Noonday Devil: Acedia, the Unnamed Evil of Our Times by Jean-Charles Nault, O.S.B. I don’t intend to lecture you with a digested version of the book (which deals neither with the Sacred Liturgy nor with music), but to discuss one section in particular that speak to me as one who strives to “labor in the Lord’s vineyard.”

Following an exposition on the thought of the Fathers of the Church on Acedia (often translated today merely as Sloth), the author tackles the writings of St. Thomas Aquinas on the same. According to St. Thomas there are two definitions of Acedia: 1) a sadness about spiritual good and 2) the disgust with activity.

St. Thomas makes note of many ways in which the vice of Acedia might manifest itself in the Christian, but one way in particular strikes me as particularly insidious for the Church in our time, that of Pusillanimity, or smallness of soul. St. Thomas refers to this vice as a daughter of Acedia and lists it as one of the vices opposite the virtue of Magnanimity, or greatness of soul. Magnanimity is the virtue that allows man to perceive the greatnes of the God’s calling and to respond to this call.

Magnanimity is that virtue that spured the saints to tackle enormous and seemingly insurmountable problems. Magnanimity is the virtue that brought to fruition the great cathedrals of the Middle Ages and inspired men like St. Francis de Sales or St. Martin de Pores to work for the conversion of thousands of souls. Think of St. John Paul II who worked to defeat Communism or Pope Benedict, a seemingly introverted professor/pope, who inspired a generation of church musicians and reinvigorated the celebration of the Sacred Liturgy. Think of Mother Teresa who worked with the poorest of the poor around the world or Mother Angelica, the cloistered nun who, probably more than any, brought the light of truth and the joy of the Gospel to generations of spiritually suffocating Americans?

Pusillanimity, the vice opposed to Magnanimity, causes man to shrink back from the greatness of God’s call and to strive for what is merely comfortable and easily attainable. It is usually cloaked as false humility. Pusillanimity convinces the Christian that the Gospel is too hard. The Good News is meant more for cloistered convents and monasteries. Marriage is too hard, being a priest or religious is too hard. Being truthful, loyal, a good friend—these are too hard and therefore meant merely as ideals for the Christian to halfheartedly strive for.

We rarely speak of greatness in the Church anymore for fear of driving people away, yet look at all of the men who responded to the call of the priesthood because of the example of Pope St. John Paul II or how many women responded to work with the poorest of the poor with Mother Teresa because they saw in her the greatness to which they felt called.

Unfortunately, the Church, in Her humanness, is not overly welcoming of the those inspired by Magnanimity at the moment. She seems stuck in the rut of minimalism, which Matthew Kelly describes as one of the three greatest problems afflicting the Church today. In this atmosphere, the professional musician is generally seen as an elitist or aesthete, the fop concerned with nothing more than producing refined music fit for the concert hall as opposed to one who is truly adept at his craft and who offers it in service back to Christ and His Church.

Of course, there is a remedy for this situation. The author of The Noonday Devil reminds us that according to St. Thomas and the Church Fathers the Incarnation is the ultimate remedy for Acedia and its many problems, including Pusillanimity. When man is tempted to despair in the face of his great calling, he should meditate upon the Incarnation and contemplate the fact that God “was willing to unite human nature to Himself personally” (St. Thomas, Summa contra Gentiles, quoted in The Noonday Devil) and will never cease to be our “help and our shield.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

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