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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In the Beauty of Holiness: Music and the Transcendent

Fr. David Friel · October 8, 2017

HILADELPHIA is home to a fascinating organization called the International Institute for Culture (IIC). Their website describes the non-profit as a research center devoted to promoting international understanding through cultural means. Practically, this means that the IIC hosts conferences and concerts, art exhibits and Oktoberfests, and even courses in Latin and Greek.

At the heart of the IIC’s vision for culture is the Catholic Faith. As their website explains:

The purpose of IIC is not to advance the idea that it is possible to restore some ideal Christian past. There never has been one. Rather, it is to look at the way in which the Faith has shaped cultures in the past and the culture in which we live today, the manner in which it preserved and elevated whatever was good and noble in any culture which it encountered and repudiated whatever debased the human spirit. With such knowledge and with a commitment to the Redeemer of Culture, we can begin working together to build the new “civilization of love.”

Recently announced is a new program of talks at the IIC, billed as a “Sunday Brunch and Lecture Series.” Building upon an earlier lecture series that focused on art and architecture, this new series finds its focus in music and kicks off next week.

In the Beauty of Holiness: Music and the Transcendent

Sunday, October 15, 2017
The Unity of Ascent: Musical Supplication and Redemption in Early Modern Venice
Dr. Sara Pecknold, Musicologist, The Catholic University of America

Sunday, November 5, 2017
Pedro de Gante and the Creation of Euro-Aztec Catholic Song in Sixteenth Century Mexico
Dr. Lorenzo Candelaria, Music Historian, University of Texas at El Paso

Sunday, December 3, 2017
Gregorian Chant and the Spirit of Liturgical Prayer
Dr. Timothy McDonnell, Director of the Institute of Sacred Music, The Catholic University of America

Sunday, January 7, 2018
The Language of Music to Address the Holy
Mark Bradford, former Director of Sacred Music, St. Charles Borromeo Seminary

Sunday, February 4, 2018
Pythagoras, Bach, and Universal Harmony in the Great B-Minor Mass
Dr. Lorenzo Candelaria, Music Historian, University of Texas at El Paso

Sunday, March 4, 2018
Music in Honor of San Gennaro: Early Modern Martyr, Miracle Worker, and Musical Protagonist
Dr. Anthony DelDonna, Musicologist, Georgetown University

Sunday, April 8, 2018
The Island of Catholic Exuberance in Protestant Germany: Music of the Dresden Court
Dr. Timothy McDonnell, Director of the Institute of Sacred Music, The Catholic University of America

For each of these events, brunch will be served at 12:45 PM at Ivy Hall (6331 Lancaster Avenue, Philadelphia, PA 19151), which follows the 11:30 AM Mass at Our Lady of Lourdes Church nearby. The lectures will begin at 2 PM, and the suggested donation is $15/person or $35/family to defray the cost of the brunch and lecture.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant, Johann Sebastian Bach Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns

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