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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five Ways To Make Dogma “Live Loudly Within You”

Dr. Alfred Calabrese · September 18, 2017

4417 Y NOW, most everyone is aware of the uproar following the statements of Sen. Diane Feinstein during the judicial confirmation hearings of Prof. Amy Barrett of the University of Notre Dame. “The dogma lives loudly within you” stated Feinstein. Much has already been written about the obvious anti-Catholic invective in this proclamation, and many have come to the defense of Prof. Barrett and her personal and judicial integrity. That Feinstein’s sentiments were doubled down by Senator Richard Durbin of Illinois, a Catholic himself, is probably more reprehensible. The fact that he claimed to be unaware of the term “orthodox Catholic” is sad and laughable at the same time. * So the villains in this controversy have been named. But let’s not forget that there is a hero, and that is Professor Barrett.

Making your Catholic bona fides known and not wavering from them is not always a stance that lends itself to personal popularity or job security, especially in the academic ivory tower. But, you say, that shouldn’t be a problem in a Catholic university, right? Well, let’s remember from whence came the Land O’Lakes Statement. And just try Googling “Catholic professor denied tenure” and see how many hits you get.

So now that Prof. Barrett has been ‘accused’ of being a faithful and public Catholic and has taken a hit for the rest of us, the question for me, and perhaps for you, is this—is the dogma living loudly in you? For me, I think the answer is no, not yet. Because sometimes, as we have seen, it results in criticism, ridicule, unfairness, and unpopularity. Because it takes courage. And it takes courage to be a Catholic church musician. So the next question is this – can we live the dogma in our work as church musicians? Here are a few ways that I think we can:

First : Select hymns with faithful Catholic texts. This might open you up to criticism.

Second : Jettison the hymns or ‘songs’ that talk about ‘us’ or ‘me.’ This will not make you popular.

Third : Make school Masses reverent and focused on the worship of God. If this means following #1 and #2, this will also not make you popular.

Fourth : Teach, especially the children. I’ve sacrificed some rehearsal time to show videos on the Mass and to discuss it with them. Maybe that’s not the best use of time, but it lets the children know where my priorities lie and what their role in the Mass is really about.

Fifth : Talk about the Church to your choirs. Incorporate bits of theology into your teaching of new music, explain deeply the texts that come from the pens of the saints, and give your own personal statement about why this music is important to you as a Catholic. This takes courage.

These are just a few ways that we can show the dogma living loudly within us. As reprehensible as her statements were, perhaps we need to thank Sen. Feinstein for unwittingly reminding us what we are called to do, as unpopular as it may be.



NOTES FROM THIS ARTICLE:

Editor’s note : Views from the Choir Loft has never been—and will never be—a political blog. If we were in the business of pointing out dishonesty from politicians, we’d have no time left for music. That being said, it’s worth noting that Senator Durbin claims not to know what “Orthodox Catholic” means and brags about having 19 years of Roman Catholic education. However, seventy seconds later, he accidentally reveals (by subsequent statements) he knew perfectly well the meaning. It would have been better if he had not pretended to be ignorant of that term.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

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