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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Benedict XVI’s Message At Cardinal Meisner’s Funeral

Corpus Christi Watershed · July 15, 2017

119 Pope Benedict XVI A BLOG called “Fidem in terra” has translated into English a message from Pope Emeritus Benedict XVI, delivered by his personal secretary, Archbishop Georg Gänswein. The Funeral of Joachim Cardinal Meisner took place on Saturday, 15 July 2017, in the Cathedral of Cologne, which some say is the world’s most beautiful cathedral. The Mass was celebrated by Cardinal Woelki, who succeeded Cardinal Meisner as Archbishop of Cologne.

T THIS HOUR, when the church of Cologne and faithful from further a field gathered to say goodbye to Cardinal Joachim Meisner, my heart and thoughts are with you also, and gladly accepting the invitation of Cardinal Woelki, I wish to address a word of remembrance to you.

When I heard of the death of Cardinal Meisner last Wednesday, I did not want to believe it. The day before we had talked on the phone. His gratitude for the fact that he had been on vacation after he had participated in the beatification of Bishop Teofilius Matulionis in Vilnius on Sunday before (June 25) was clear in his his voice. The love for the Church in the neighboring countries in the East, which had suffered under the Communist persecution, as well as the gratitude for the withstanding the sufferings of that time, shaped his life. And so is it is no coincidence that the last visit to his life was one to a Confessor of the Faith in those countries.

What particularly impressed me in that last talk with the retired Cardinal, was the loosened joy, the inner joy, and the confidence he had found. We know that this passionate shepherd and pastor found it difficult to leave his post, especially at a time in which the Church stands in particularly pressing need of convincing shepherds who can resist the dictatorship of the spirit of the age and who live and think the faith with determination. However, what moved me all the more was that, in this last period of his life, he learned to let go and to live out of a deep conviction that the Lord does not abandon His Church, even when the boat has taken on so much water as to be on the verge of capsizing.

Two things in recent times which pleased him more than anything:

(1) On the one hand, he has always told me how deeply he in the Sacrament of Penance, how young people, especially young men, are experiencing the grace of forgiveness—the Gift, they have found the life that only God can give.

(2) The other thing that has always touched him and gave him joy, was the quiet growth of Eucharistic Adoration. At the World Youth Day in Cologne yhis was a central point for him—that there was Adoration, a silence in which only the Lord spoke to the heart. Some Pastoral and Liturgal experts felt that such silence in looking at the Lord can not be achieved with such a huge number of people. Some were also of the opinion that Eucharistic Adoration was overtaken as such, by the Mass, since the Lord would be received in Eucharistic bread and not be looked at. But that this Bread can not be eaten like any food, and that the Eucharistic sacrament “welcomes” all dimensions of our existence – that reception must be worship, has now become very clear. Thus, the time of Eucharistic Adoration at the Cologne World Youth Day has become an interior event, which remained unforgettable to the Cardinal.

When, on his last morning, Cardinal Meisner did not appear at Mass, he was found dead in his room. His Breviary had slipped out of his hands: he was praying as he died, looking at the Lord, talking to the Lord. The death that was given to him, shows once again how he lived: looking at the Lord and talking to him. So we can confidently recommend his soul to the goodness of God. Lord, we thank thee for the testimony of thy servant Joachim. Let him be intercessors for the Church of Cologne, and on the whole Be earthly! Requiescat in pace!


You can also download the original German.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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