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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Culmen Et Fons 2017 • On Liturgical Formation • September 18-22

Richard J. Clark · July 14, 2017

ITURGICAL FORMATION is vital for spiritual formation, which is why this conference is well worth attending! This year, the Culmen Et Fons Conference will be held at St. Adelaide’s Church, West Peabody, Massachusetts, from September 18-22 and will be hosted by Michael Olbash.

Register for the conference here.

From the conference website:

“Recognizing the critical need of enhanced liturgical and spiritual formation for both clergy and lay faithful, the organizers, presenters, hosts, sponsors, and delegates of the September 2017 Conference On Liturgical Formation seek to address precisely such a fundamental requirement for the vitality and vigor of the Church. The scope and the topics of the conference correspond precisely to the needs set out with characteristic clarity by Cardinal Robert Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments in his 2016 London Address and in his remarks made in June 2017 at the Sacra Liturgia conference in Milan, Italy.

The principal speaker, Dom Alcuin Reid, will present papers on such topics as “The Spirit and Power of the Liturgy,” “The Liturgical Life of the Priest, the Liturgical Formation of the Laity,” and “Ongoing Liturgical Formation.” Father Thomas Kocik, a priest of Fall River, Massachusetts and author of The Reform of the Reform, will discuss “The Mutual Enrichment of the Two Forms of the Roman Rite.” Father Marco Testa, a priest of Toronto, Canada, will treat “The Elevation of Parish Liturgy through Plainchant and Sacred Polyphony.” Fr Neil J. Roy will address the means by which priests can form and prepare themselves for offering Mass according to the usus antiquior.“

Michael Olbash also writes:

I’m thrilled to be hosting the inaugural Culmen et Fons conference at St. Adelaide’s because I believe we have an important story to share. It is a fitting study of what Fr. Kocik calls “The Mutual Influence of the Two Forms of the Roman Rite on Each Other” in action. In the past decade, the parish has seen an astonishing increase in Mass attendance and financial stewardship owing in large part to the addition of a weekly traditional Latin Missa Cantata, use of handcrafted Roman vestments, emphasis on sacred music, and the acquisition of dozens of statues, paintings, and liturgical furnishings, many of which were adopted from merged or suppressed parishes

The success of St. Adelaide’s Parish in recent years is unquestionable. Parishes should take note that liturgical formation has lead not only to spiritual renewal, but on a pragmatic level, increased attendance and financial donations. Heeding the Church’s traditions and placing Christ at the center will always be the cornerstone of true evangelization.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

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