• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Culmen Et Fons 2017 • On Liturgical Formation • September 18-22

Richard J. Clark · July 14, 2017

ITURGICAL FORMATION is vital for spiritual formation, which is why this conference is well worth attending! This year, the Culmen Et Fons Conference will be held at St. Adelaide’s Church, West Peabody, Massachusetts, from September 18-22 and will be hosted by Michael Olbash.

Register for the conference here.

From the conference website:

“Recognizing the critical need of enhanced liturgical and spiritual formation for both clergy and lay faithful, the organizers, presenters, hosts, sponsors, and delegates of the September 2017 Conference On Liturgical Formation seek to address precisely such a fundamental requirement for the vitality and vigor of the Church. The scope and the topics of the conference correspond precisely to the needs set out with characteristic clarity by Cardinal Robert Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments in his 2016 London Address and in his remarks made in June 2017 at the Sacra Liturgia conference in Milan, Italy.

The principal speaker, Dom Alcuin Reid, will present papers on such topics as “The Spirit and Power of the Liturgy,” “The Liturgical Life of the Priest, the Liturgical Formation of the Laity,” and “Ongoing Liturgical Formation.” Father Thomas Kocik, a priest of Fall River, Massachusetts and author of The Reform of the Reform, will discuss “The Mutual Enrichment of the Two Forms of the Roman Rite.” Father Marco Testa, a priest of Toronto, Canada, will treat “The Elevation of Parish Liturgy through Plainchant and Sacred Polyphony.” Fr Neil J. Roy will address the means by which priests can form and prepare themselves for offering Mass according to the usus antiquior.“

Michael Olbash also writes:

I’m thrilled to be hosting the inaugural Culmen et Fons conference at St. Adelaide’s because I believe we have an important story to share. It is a fitting study of what Fr. Kocik calls “The Mutual Influence of the Two Forms of the Roman Rite on Each Other” in action. In the past decade, the parish has seen an astonishing increase in Mass attendance and financial stewardship owing in large part to the addition of a weekly traditional Latin Missa Cantata, use of handcrafted Roman vestments, emphasis on sacred music, and the acquisition of dozens of statues, paintings, and liturgical furnishings, many of which were adopted from merged or suppressed parishes

The success of St. Adelaide’s Parish in recent years is unquestionable. Parishes should take note that liturgical formation has lead not only to spiritual renewal, but on a pragmatic level, increased attendance and financial donations. Heeding the Church’s traditions and placing Christ at the center will always be the cornerstone of true evangelization.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Reform of the Reform” officially embraced by USCCB
  • “The Worm That Dieth Not”
  • Father Chris Smith Celebrates 20 Years as a Priest
  • “Practical Solutions to Impractical Problems” • Lerner’s Philosophy of Parish Music
  • Gregorian Chant Academy Free Workshop

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.