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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Culmen Et Fons 2017 • On Liturgical Formation • September 18-22

Richard J. Clark · July 14, 2017

ITURGICAL FORMATION is vital for spiritual formation, which is why this conference is well worth attending! This year, the Culmen Et Fons Conference will be held at St. Adelaide’s Church, West Peabody, Massachusetts, from September 18-22 and will be hosted by Michael Olbash.

Register for the conference here.

From the conference website:

“Recognizing the critical need of enhanced liturgical and spiritual formation for both clergy and lay faithful, the organizers, presenters, hosts, sponsors, and delegates of the September 2017 Conference On Liturgical Formation seek to address precisely such a fundamental requirement for the vitality and vigor of the Church. The scope and the topics of the conference correspond precisely to the needs set out with characteristic clarity by Cardinal Robert Sarah, Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments in his 2016 London Address and in his remarks made in June 2017 at the Sacra Liturgia conference in Milan, Italy.

The principal speaker, Dom Alcuin Reid, will present papers on such topics as “The Spirit and Power of the Liturgy,” “The Liturgical Life of the Priest, the Liturgical Formation of the Laity,” and “Ongoing Liturgical Formation.” Father Thomas Kocik, a priest of Fall River, Massachusetts and author of The Reform of the Reform, will discuss “The Mutual Enrichment of the Two Forms of the Roman Rite.” Father Marco Testa, a priest of Toronto, Canada, will treat “The Elevation of Parish Liturgy through Plainchant and Sacred Polyphony.” Fr Neil J. Roy will address the means by which priests can form and prepare themselves for offering Mass according to the usus antiquior.“

Michael Olbash also writes:

I’m thrilled to be hosting the inaugural Culmen et Fons conference at St. Adelaide’s because I believe we have an important story to share. It is a fitting study of what Fr. Kocik calls “The Mutual Influence of the Two Forms of the Roman Rite on Each Other” in action. In the past decade, the parish has seen an astonishing increase in Mass attendance and financial stewardship owing in large part to the addition of a weekly traditional Latin Missa Cantata, use of handcrafted Roman vestments, emphasis on sacred music, and the acquisition of dozens of statues, paintings, and liturgical furnishings, many of which were adopted from merged or suppressed parishes

The success of St. Adelaide’s Parish in recent years is unquestionable. Parishes should take note that liturgical formation has lead not only to spiritual renewal, but on a pragmatic level, increased attendance and financial donations. Heeding the Church’s traditions and placing Christ at the center will always be the cornerstone of true evangelization.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

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