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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On Emptiness, Wisdom, and Fortune • Music and Discernment

Richard J. Clark · July 1, 2017

USIC HAS A way of revisiting the soul when necessary. It seems as though time is not always linear, but elastic. Such is the transcendent effect music has upon us all.

Recent days have brought a choral work composed a few years ago back to consciousness. I believe it is brought upon by the struggle of friends in dire need coupled with a sense of gratitude for my God.

Perhaps it is a sense of discernment—a most sacred duty. What does God call us to do? Or rather, how does God call us to be? The obsession to find things to do often eclipse God’s call for us to be, in His presence—in prayer—in quiet solitude with Him, but for a moment or more.

On Emptiness, Wisdom, and Fortune (2014) combines two poems by Adam Wood: On Fortune and On Emptiness. Through gradual harmonic expansion of modes and mindset, internal reflection leads to eternal resolution.

I find the text of this work to be a useful call to discernment as outlined in the first stanza:

I trust, O God, your Wisdom to fulfill
All needs I have, yet beg for blessings too.
But if you take all else, take first my will,
That I may know that all I need is You.

I have long admired the writing of poet Adam Wood (b. 1982); his poetry, prose, and commentary are distinct, stemming in part from eclectic passions which include liturgy, theology, technology, economics and the Open Source. The results of such combination of interests are fascinating. His dedication to the spirit, art, and intellect (often infused with sharp wit) constitute a distinctly unique body of work from which one will elicit much inspiration and insight.

Here is a recording of the world premiere by The Seraphim Singers, Jennifer Lester, Director.

On Emptiness, Wisdom and Fortune
Adam Wood

I trust, O God, your Wisdom to fulfill
All needs I have, yet beg for blessings too.
But if you take all else, take first my will,
That I may know that all I need is You.

“Nay, chiefly are we born to die,
it matters not” he says, and I,
though tempted, and like sailors drawn,
to siren calls that bid them on,

I stay. Transfix’d by word,
so often read, so often heard,
my soul (must then it empty be?)
redoubles and re-sounds the sounds of Thee.

If emptiness be then my one defense
against seduction’s war on every sense,
remove from me, oh God, what fills my mind
that resonances there your Word may find.

And if my soul be empty, so my heart,
That it may sing the music of your Art.
My will, my life, my all be emptied too:
Libations poured out — nay, drawn out by You.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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