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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

I forgot to tell them it’s supposed to be hard.

Richard J. Clark · June 9, 2017

DULTS AND children sometimes learn very differently. The brains of children are still developing, and adults often assume many things are too difficult for them to learn, absorb, or even attempt. How wrong we are!

My son has been playing baseball. He bats and throws right-handed. My daughter is left-handed. So one day, while I was throwing batting practice to them, my son wanted to try batting left-handed just like his older sister. It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

What happened surprised me. Instead of struggling, he hit he ball quite consistently (if not for as much power…) He continued to bat left-handed for the rest of our practice. He had no inhibition to try something potentially uncomfortable, and he had a positive, fun, experience. He’ll probably try it again. I guess I forgot to tell him how hard it is to become a successful switch-hitter.

Furthermore, those who teach languages or music to young school children know better. Certain young ages are ideal times to teach children because they absorb certain things much faster and quite naturally. Start teaching children a new language when they are in high school, and it will be difficult. Start when they are younger, and they will have a far greater chance of mastering the language as they grow.

I live in a town in which the public elementary schools have a French Immersion program. It has become so popular and effective, that they have had to hire more teachers and potentially cap the program.

ERHAPS MY FAVORITE words of wisdom come from my friend, colleague, and sage, Maestro Michael Olbash. A few years ago, he began a children’s choir who sang a great deal of Gregorian Chant. They sang beautifully; his choir blossomed in size. He said, “They don’t know it’s supposed to be hard.”

He must have forgotten to tell the children that Latin and chant are supposed to be too hard for them; they made singing in Latin look easy.

My colleague and friend, Ryan Lynch gave the first-graders in the school where he teaches the choice to sing the Sanctus XVIII in English (ICEL Chant) or in Latin. The seven-year-olds insisted on singing in Latin. Maestro Lynch must have forgotten to tell them Latin and Chant are supposed to be hard, and that children shouldn’t be taught such music in the first place.

My own children recently sang Regina Caeli at Mass both in Latin and then in English. It’s a great “starter piece” for chant. It’s not very ambitious compared to the work of my other colleagues. They learned the meaning of the Latin text quite easily. In fact, we had to spend more time rehearsing it in English. I forgot to tell them, it’s supposed to be hard.

ERE’S A MODEST musical and liturgical resource from the Archdiocese of Boston for First Communion and Confirmation. If you forget to tell the children this is too hard for them, they just might pick it up easily—just as God created them to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.

— Rev. Adrian Fortescue (1912)

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