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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2017

Jeff Ostrowski · May 16, 2017

EWTN Video • Priestly Fraternity of Saint Peter

Two members talk about their new CD, “Requiem.”

Fr. David Friel · May 14, 2017

Podcast on Sacred Music

An interview with the blog, “Seminarian Casual”

Dr. Lucas Tappan · May 12, 2017

Ten “Ave Maria” Settings from Different Lands

Live recordings—music in honor of Our Lady of Fatima.

Andrew Leung · May 11, 2017

Church Musicians are called to be Good Shepherds

Not only priests, church musicians are also called to be good shepherds after the example of Christ.

Corpus Christi Watershed · May 11, 2017

May Is Dedicated To Mary

“Prior to the singing of each hymn, a brief background of its history and significance in Catholic devotional life will be presented by Peter Meggison.”

Jeff Ostrowski · May 10, 2017

Musical Resources • 4th Sunday after Easter (1962)

“…He shall not speak of Himself; but what things soever He shall hear, He shall speak…”

Jeff Ostrowski · May 9, 2017

Guerrero’s Gloria from “Missa Iste Sanctus”

Why Do We Produce Rehearsal Videos? And what made more than 600 people show up for Santa Barbara’s first Latin Mass in fifty years?

Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

Jeff Ostrowski · May 4, 2017

Fulton J. Sheen • World’s Most Progressive Bishop?

Sheen replied: “Mr. President, I’m not the least bit impressed with your source.”

Andrew Leung · May 4, 2017

Why the Pipe Organ?

Why is the pipe organ to be held in high esteem?

Dr. Alfred Calabrese · May 3, 2017

Kids Are Colorblind But Adults Are Not

Adults with an agenda teach children their own biases.

Dr. Lucas Tappan · May 2, 2017

A Picture is Worth a Thousand Words

If the Holy Mass really is the unbloody sacrifice of the Body and Blood, Soul and Divinity of Christ, then the music we use will be radically affected.

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President’s Corner

    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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