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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Descent into Hell and The Greatest Act of Love

Richard J. Clark · April 14, 2017

HE GREATEST understatement of the liturgical calendar is embodied in the name “Good Friday.” It is not an ironic overstatement, but a subdued adjective to describe The Greatest Act of Love.

We know well the famous quote from John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.” It is so familiar it has become cliché. But we must take this to heart as much as we possibly can.

In opening the Gates of Heaven, Christ shows the greatest act of love “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God…he loves us and he wants us to live forever.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg. 168-169)

The Order of Christian Funerals emphasizes that sacred music must express “a spirit of hope in Christian’s share in Christ’s victory over death.” (OCF #31) Sacred music at a funeral must express this hope.

But Good Friday is no funeral. For death has no power over Christ. And we should rejoice because this is what he wants for us.

HE CATECHISM of the Roman Catholic Church has much to say about Christ’s descent into hell—something we profess every time we say the Apostles Creed. This section of the catechism, which even quotes the Exsultet, is deeply profound. Read it in full here.

The Catechism states: “Jesus, like all men, experienced death and in his soul joined the others in the realm of the dead. But he descended there as Savior, proclaiming the Good News to the spirits imprisoned there.” (§632, Catechism of the Catholic Church)

The Catechism describes the significance of Christ’s sacrifice to humankind of all ages:

“The gospel was preached even to the dead.” The descent into hell brings the Gospel message of salvation to complete fulfillment. This is the last phase of Jesus’ messianic mission, a phase which is condensed in time but vast in its real significance: the spread of Christ’s redemptive work to all men of all times and all places, for all who are saved have been made sharers in the redemption. (§634, CCC)

In summary: “In his human soul united to his divine person, the dead Christ went down to the realm of the dead. He opened heaven’s gates for the just who had gone before him.(§637, CCC)

Jesus’ love for the Father—and for us all—is so great, that there was only one choice: to do the will of the Father in order to redeem us all. This is why we must sing everything from the viewpoint of the Resurrection, especially on Good Friday.

Now read the words of John 3:16 again:

“For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

The love of Christ is more than we can bear. Repent and believe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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