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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Descent into Hell and The Greatest Act of Love

Richard J. Clark · April 14, 2017

HE GREATEST understatement of the liturgical calendar is embodied in the name “Good Friday.” It is not an ironic overstatement, but a subdued adjective to describe The Greatest Act of Love.

We know well the famous quote from John 3:16: “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.” It is so familiar it has become cliché. But we must take this to heart as much as we possibly can.

In opening the Gates of Heaven, Christ shows the greatest act of love “…the love of God doesn’t end in death. It goes beyond it. Death is no hindrance to the love of God…he loves us and he wants us to live forever.” (Peter G. van Breemen, SJ, As Bread That Is Broken, pg. 168-169)

The Order of Christian Funerals emphasizes that sacred music must express “a spirit of hope in Christian’s share in Christ’s victory over death.” (OCF #31) Sacred music at a funeral must express this hope.

But Good Friday is no funeral. For death has no power over Christ. And we should rejoice because this is what he wants for us.

HE CATECHISM of the Roman Catholic Church has much to say about Christ’s descent into hell—something we profess every time we say the Apostles Creed. This section of the catechism, which even quotes the Exsultet, is deeply profound. Read it in full here.

The Catechism states: “Jesus, like all men, experienced death and in his soul joined the others in the realm of the dead. But he descended there as Savior, proclaiming the Good News to the spirits imprisoned there.” (§632, Catechism of the Catholic Church)

The Catechism describes the significance of Christ’s sacrifice to humankind of all ages:

“The gospel was preached even to the dead.” The descent into hell brings the Gospel message of salvation to complete fulfillment. This is the last phase of Jesus’ messianic mission, a phase which is condensed in time but vast in its real significance: the spread of Christ’s redemptive work to all men of all times and all places, for all who are saved have been made sharers in the redemption. (§634, CCC)

In summary: “In his human soul united to his divine person, the dead Christ went down to the realm of the dead. He opened heaven’s gates for the just who had gone before him.(§637, CCC)

Jesus’ love for the Father—and for us all—is so great, that there was only one choice: to do the will of the Father in order to redeem us all. This is why we must sing everything from the viewpoint of the Resurrection, especially on Good Friday.

Now read the words of John 3:16 again:

“For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life.”

The love of Christ is more than we can bear. Repent and believe.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.