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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not “What” but “Why” is Fascinating

Richard J. Clark · March 17, 2017

HE ROMAN RITE is a fascinating area of study. There are centuries upon centuries of history. There are multiple forms of the Rite, plus numerous rites that are in union with Rome. The options and variations related to the Novus Ordo alone are often a challenge to keep up with, but fascinating nonetheless.

Some people are put off by this. Some are bored to tears. I am fascinated. Why? Possibly there is something terribly wrong with me. Or, perhaps it is because the Church, in her infinite wisdom of the ages, has given us gift of the Mass which is something we can grow with during our entire lives.

It is like a great piece of music or great literature. As we mature, our understanding of the music or art grows. We gain additional insight from it. And so it is with the Mass, our greatest prayer.

Now, keeping track of all the rubrics, and the liturgical calendar, etc., etc., can be a bit much. We can handle it by being dismissive of it all, and simply say, “They don’t matter.” “There’s no point.” I don’t blame others for not finding this topic interesting. God calls us to be interested in different things.

We may learn “what” we are supposed to say, sing, wear, move, etc. during a given Mass. But what I find fascinating is the “why.”

Why are we worshiping God in the first place? God has no need of our worship, yet it is important for us to not only do so, but to center our lives around worship. Why are certain external movements or words important? God has no need for externals and expressed as much in Matthew 15. But they have something to do with the formation of what is internal, which is also impressed upon us in Matthew 15. This is fascinating.

This is an endless topic that cannot be addressed fully here. Of course it can’t. It is a beautiful pursuit of a lifetime.

Pope Benedict XVI wrote in Sacramentum Caritatis, no. 14:

The Church’s ability to ‘make’ the Eucharist is completely rooted in Christ’s self-gift to her…We too, at every celebration of the Eucharist, confess the primacy of Christ’s gift..the priority of the fact that it was Christ who loved us ‘first.’ For all eternity he remains the one who loves us first.”

Timothy P. O’Malley’s commentary on Benedict’s words are passionate:

”In this sense, our participation in the sacrifice of the Mass is a return gift of love offered to the God who made the first move of love toward us…He loves us first, and he loved us unto the end, dying upon the cross as a supreme act of love. And he still loves us, drawing us closer to his side.” (Bored Again Catholic, How the Mass Could Save Your Life, Pg. 31.)

HE MASS IS SUCH A JEWEL, that we can grow into it throughout our lives. The opportunity is simply there for the taking: if we give God all our love and devotion, offer Him our best, and return to God what He gave us first—His love.

Jesus’ love for us is a start to understanding every single “why.”

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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