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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not “What” but “Why” is Fascinating

Richard J. Clark · March 17, 2017

HE ROMAN RITE is a fascinating area of study. There are centuries upon centuries of history. There are multiple forms of the Rite, plus numerous rites that are in union with Rome. The options and variations related to the Novus Ordo alone are often a challenge to keep up with, but fascinating nonetheless.

Some people are put off by this. Some are bored to tears. I am fascinated. Why? Possibly there is something terribly wrong with me. Or, perhaps it is because the Church, in her infinite wisdom of the ages, has given us gift of the Mass which is something we can grow with during our entire lives.

It is like a great piece of music or great literature. As we mature, our understanding of the music or art grows. We gain additional insight from it. And so it is with the Mass, our greatest prayer.

Now, keeping track of all the rubrics, and the liturgical calendar, etc., etc., can be a bit much. We can handle it by being dismissive of it all, and simply say, “They don’t matter.” “There’s no point.” I don’t blame others for not finding this topic interesting. God calls us to be interested in different things.

We may learn “what” we are supposed to say, sing, wear, move, etc. during a given Mass. But what I find fascinating is the “why.”

Why are we worshiping God in the first place? God has no need of our worship, yet it is important for us to not only do so, but to center our lives around worship. Why are certain external movements or words important? God has no need for externals and expressed as much in Matthew 15. But they have something to do with the formation of what is internal, which is also impressed upon us in Matthew 15. This is fascinating.

This is an endless topic that cannot be addressed fully here. Of course it can’t. It is a beautiful pursuit of a lifetime.

Pope Benedict XVI wrote in Sacramentum Caritatis, no. 14:

The Church’s ability to ‘make’ the Eucharist is completely rooted in Christ’s self-gift to her…We too, at every celebration of the Eucharist, confess the primacy of Christ’s gift..the priority of the fact that it was Christ who loved us ‘first.’ For all eternity he remains the one who loves us first.”

Timothy P. O’Malley’s commentary on Benedict’s words are passionate:

”In this sense, our participation in the sacrifice of the Mass is a return gift of love offered to the God who made the first move of love toward us…He loves us first, and he loved us unto the end, dying upon the cross as a supreme act of love. And he still loves us, drawing us closer to his side.” (Bored Again Catholic, How the Mass Could Save Your Life, Pg. 31.)

HE MASS IS SUCH A JEWEL, that we can grow into it throughout our lives. The opportunity is simply there for the taking: if we give God all our love and devotion, offer Him our best, and return to God what He gave us first—His love.

Jesus’ love for us is a start to understanding every single “why.”

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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  • PDF Download • “Funeral Procession”
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  • PDF Download • Ascension “Entrance Chant”

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