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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

GoFundMe Campaign • Needing Scholarships!

Jeff Ostrowski · March 10, 2017

O CURSE THE DARKNESS is easier than lighting a candle. Many good Catholics want to restore sacred music to our churches, but don’t know how. This post is not really aimed at church musicians—who often live paycheck to paycheck. It’s geared toward Catholics searching for a worthwhile place to invest money—in this case, helping Catholic musicians who can’t afford to attend the Sacred Music Symposium. (Part of Lent is “almsgiving”—not just fasting.)

We’ve never used “GoFundMe” before, but let’s try it:

    * *  GoFundMe • SYMPOSIUM SCHOLARSHIPS 2017

This 2-minute video has footage by James & Mikio Sheehan:

From a Seminarian in Los Angeles:

REETINGS AND THANK YOU SO MUCH for this wonderful service to the West Coast, especially the Archdiocese of Los Angeles. As a former participant, I was personally enriched and tremendously benefited from my time spent at the Symposium. In particular, my prayer life has grown deeper as I meditate on the music we spent many hours preparing to sing. There were so many moments when I felt beautifully aware of the presence of God working in and through my voice and words. Even more, I developed a much more refined sense of Sacred Tradition and the beauty of Gregorian Chant. Our instructors were extremely knowledgeable and completely opened up the music for us. Furthermore, the workshops helped me to develop my skills as a choir leader. Some of the skills I developed even allowed me to adapt music for a particular feast that same summer.

All of this was possible for me to experience because of the generous donations of people who contributed to the Sacred Symposium. As a Seminarian, I do not have the means to pay for such an occasion as the Sacred Symposium so I am indebted to these generous donors for allowing me to be enriched by this wonderful event. Now that I have experienced it, however, I believe it is all the more necessary that I continue to develop my new found skills. One particular area that I can improve which the Symposium will help is the ability to make rehearsal videos and other reference materials for choir members. This will greatly improve rehearsals and help the less experienced singers progress faster.


From a 12-year-old girl:

Y NAME IS _______ and I am twelve years old. I started singing in the FSSP.la Choir when I was ten. Since then, I have come to learn a lot about Sacred Music, and I love singing it. St. Augustine said, “When you sing, you pray twice.” Sacred Music has thought me how profound prayer is. During Mass, when singing, one can feel the adoration and reverence that God deserves.

Last year, I had my first opportunity to participate in the 2016 Sacred Music Symposium, and what a wonderful experience it was!  I had the opportunity to meet such wonderful people like Dr. Calabrese and Dr. Buchholz and the many wonderful singers who attended the Symposium. I was inspired by their talent and knowledge of Sacred Music. There were techniques provided on how to improve your vocals, by warming up and helpful information for music directors.

This year the Symposium has returned and I am very much excited to participate once again. I hope to expand my knowledge in Sacred Music and its history as I have come to treasure it. Participating in this year’s Symposium I hope to learn more skills that will help me as a young choir member and, God willing, one day a music director or an organist for the Church. I am so very grateful to those who generously provide scholarships for this Sacred Music Symposium.

Our campaign will end on 25 March 2017, the feast of the Annunciation, which was also the birthday of St. Jean de Brébeuf (1593AD).  We are trying to raise $2,500.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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  • PDF Download • Dom Murray Harmonies

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