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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

GoFundMe Campaign • Needing Scholarships!

Jeff Ostrowski · March 10, 2017

O CURSE THE DARKNESS is easier than lighting a candle. Many good Catholics want to restore sacred music to our churches, but don’t know how. This post is not really aimed at church musicians—who often live paycheck to paycheck. It’s geared toward Catholics searching for a worthwhile place to invest money—in this case, helping Catholic musicians who can’t afford to attend the Sacred Music Symposium. (Part of Lent is “almsgiving”—not just fasting.)

We’ve never used “GoFundMe” before, but let’s try it:

    * *  GoFundMe • SYMPOSIUM SCHOLARSHIPS 2017

This 2-minute video has footage by James & Mikio Sheehan:

From a Seminarian in Los Angeles:

REETINGS AND THANK YOU SO MUCH for this wonderful service to the West Coast, especially the Archdiocese of Los Angeles. As a former participant, I was personally enriched and tremendously benefited from my time spent at the Symposium. In particular, my prayer life has grown deeper as I meditate on the music we spent many hours preparing to sing. There were so many moments when I felt beautifully aware of the presence of God working in and through my voice and words. Even more, I developed a much more refined sense of Sacred Tradition and the beauty of Gregorian Chant. Our instructors were extremely knowledgeable and completely opened up the music for us. Furthermore, the workshops helped me to develop my skills as a choir leader. Some of the skills I developed even allowed me to adapt music for a particular feast that same summer.

All of this was possible for me to experience because of the generous donations of people who contributed to the Sacred Symposium. As a Seminarian, I do not have the means to pay for such an occasion as the Sacred Symposium so I am indebted to these generous donors for allowing me to be enriched by this wonderful event. Now that I have experienced it, however, I believe it is all the more necessary that I continue to develop my new found skills. One particular area that I can improve which the Symposium will help is the ability to make rehearsal videos and other reference materials for choir members. This will greatly improve rehearsals and help the less experienced singers progress faster.


From a 12-year-old girl:

Y NAME IS _______ and I am twelve years old. I started singing in the FSSP.la Choir when I was ten. Since then, I have come to learn a lot about Sacred Music, and I love singing it. St. Augustine said, “When you sing, you pray twice.” Sacred Music has thought me how profound prayer is. During Mass, when singing, one can feel the adoration and reverence that God deserves.

Last year, I had my first opportunity to participate in the 2016 Sacred Music Symposium, and what a wonderful experience it was!  I had the opportunity to meet such wonderful people like Dr. Calabrese and Dr. Buchholz and the many wonderful singers who attended the Symposium. I was inspired by their talent and knowledge of Sacred Music. There were techniques provided on how to improve your vocals, by warming up and helpful information for music directors.

This year the Symposium has returned and I am very much excited to participate once again. I hope to expand my knowledge in Sacred Music and its history as I have come to treasure it. Participating in this year’s Symposium I hope to learn more skills that will help me as a young choir member and, God willing, one day a music director or an organist for the Church. I am so very grateful to those who generously provide scholarships for this Sacred Music Symposium.

Our campaign will end on 25 March 2017, the feast of the Annunciation, which was also the birthday of St. Jean de Brébeuf (1593AD).  We are trying to raise $2,500.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.