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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Giacomo Cardinal Lercaro (1891-1976)

Jeff Ostrowski · February 28, 2017

335 Cardinal Lercaro CONSILIUM PRESIDENT HE BISHOPS of Vatican II who voted for Sacrosanctum Concilium (December 1963) assumed the reforms would be undertaken by the Sacred Congregation of Rites. However, Pope Paul surprised everyone on 25 January 1964 by taking this job away from them and establishing a new body called the CONSILIUM to enact the liturgical reforms. It soon became apparent the Consilium wanted to go “beyond” Vatican II, while the Sacred Congregation of Rites attempted to retain only what the Council fathers mandated—and (sadly) met with precious little success. 1 Archbishop Piero Marini publicly admitted this in a 2007 book.

Ready for confusion? The Sacred Congregation of Rites was headed by CARDINAL LARRAONA whereas the Consilium was headed by CARDINAL LERCARO.

Larraona (1887-1973) was a Spanish Cardinal who had participated in the preparation of the 1917 Code of Canon Law. Lercaro (1891-1976) was Italian, and served as Archbishop of Bologna. He turned his episcopal palace into an orphanage and was mentioned numerous times in La riforma liturgica (Rome, 1983), a work by Annibale Bugnini which attempts to hide neither its bias nor its triumphalism.

When Bugnini’s book appeared in English in 1990, Monsignor Richard Schuler said:

Of course, there are “good guys” and “bad guys” according to Bugnini’s story. The “bad guys” are the church musicians and those wishing to retain some use of the Latin language, conservatives who evoke the anger and sarcasm of the author because of their efforts to defend the heritage of the Church in its liturgical texts and the musical settings (from Gregorian chant to modern compositions). Bugnini attributes bad will to many of those sitting with him on the various commissions, especially the members of the Consociatio Internationalis Musicae Sacrae.   [emphasis added]

You can read everything Msgr. Schuler had to say about Archbishop Bugnini in 1990, including this devastating assessment of the book:

There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: “Why?”

FATHER LOUIS BOUYER, a close friend of Pope Paul VI and important member of the Consilium, had this to say about Cardinal Lercaro:

Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who, though generous and brave, was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini—a man as bereft of culture as he was of basic honesty—soon revealed himself to be.

Here are some pictures and video of Giacomo Cardinal Lercaro, President of the Consilium:


(For the record, although it’s certainly not sacred music, I find that video’s soundtrack striking.)

10 Giacomo Cardinal Lercaro 9 Giacomo Cardinal Lercaro 8 Giacomo Cardinal Lercaro 7 Giacomo Cardinal Lercaro 6 Giacomo Cardinal Lercaro 5 Giacomo Cardinal Lercaro

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

6x Giacomo Cardinal Lercaro 5x Giacomo Cardinal Lercaro 4x Giacomo Cardinal Lercaro 3x Giacomo Cardinal Lercaro 2x Giacomo Cardinal Lercaro 1x Giacomo Cardinal Lercaro



NOTES FROM THIS ARTICLE:

1   The Sacred Congregation of Rites was occasionally able to block the Consilium—such as when the Consilium tried to eliminate Hebrew words like Hosanna, Amen, and Alleluia from the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

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