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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Giacomo Cardinal Lercaro (1891-1976)

Jeff Ostrowski · February 28, 2017

335 Cardinal Lercaro CONSILIUM PRESIDENT HE BISHOPS of Vatican II who voted for Sacrosanctum Concilium (December 1963) assumed the reforms would be undertaken by the Sacred Congregation of Rites. However, Pope Paul surprised everyone on 25 January 1964 by taking this job away from them and establishing a new body called the CONSILIUM to enact the liturgical reforms. It soon became apparent the Consilium wanted to go “beyond” Vatican II, while the Sacred Congregation of Rites attempted to retain only what the Council fathers mandated—and (sadly) met with precious little success. 1 Archbishop Piero Marini publicly admitted this in a 2007 book.

Ready for confusion? The Sacred Congregation of Rites was headed by CARDINAL LARRAONA whereas the Consilium was headed by CARDINAL LERCARO.

Larraona (1887-1973) was a Spanish Cardinal who had participated in the preparation of the 1917 Code of Canon Law. Lercaro (1891-1976) was Italian, and served as Archbishop of Bologna. He turned his episcopal palace into an orphanage and was mentioned numerous times in La riforma liturgica (Rome, 1983), a work by Annibale Bugnini which attempts to hide neither its bias nor its triumphalism.

When Bugnini’s book appeared in English in 1990, Monsignor Richard Schuler said:

Of course, there are “good guys” and “bad guys” according to Bugnini’s story. The “bad guys” are the church musicians and those wishing to retain some use of the Latin language, conservatives who evoke the anger and sarcasm of the author because of their efforts to defend the heritage of the Church in its liturgical texts and the musical settings (from Gregorian chant to modern compositions). Bugnini attributes bad will to many of those sitting with him on the various commissions, especially the members of the Consociatio Internationalis Musicae Sacrae.   [emphasis added]

You can read everything Msgr. Schuler had to say about Archbishop Bugnini in 1990, including this devastating assessment of the book:

There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: “Why?”

FATHER LOUIS BOUYER, a close friend of Pope Paul VI and important member of the Consilium, had this to say about Cardinal Lercaro:

Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who, though generous and brave, was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini—a man as bereft of culture as he was of basic honesty—soon revealed himself to be.

Here are some pictures and video of Giacomo Cardinal Lercaro, President of the Consilium:


(For the record, although it’s certainly not sacred music, I find that video’s soundtrack striking.)

10 Giacomo Cardinal Lercaro 9 Giacomo Cardinal Lercaro 8 Giacomo Cardinal Lercaro 7 Giacomo Cardinal Lercaro 6 Giacomo Cardinal Lercaro 5 Giacomo Cardinal Lercaro

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

6x Giacomo Cardinal Lercaro 5x Giacomo Cardinal Lercaro 4x Giacomo Cardinal Lercaro 3x Giacomo Cardinal Lercaro 2x Giacomo Cardinal Lercaro 1x Giacomo Cardinal Lercaro



NOTES FROM THIS ARTICLE:

1   The Sacred Congregation of Rites was occasionally able to block the Consilium—such as when the Consilium tried to eliminate Hebrew words like Hosanna, Amen, and Alleluia from the liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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  • PDF Download • “Funeral Procession”
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