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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

7 Points • “The Joy of Lent”

Dr. Alfred Calabrese · February 23, 2017

339 Ash Wednesday OME PEOPLE SEEM to dread the season of Lent. I’m not sure why that is exactly, but I can guess. Perhaps they think there is too much focus on negative things, like sin. Maybe they don’t want to think about depriving themselves by fasting, or going without meat on Fridays. Maybe the Lenten hymns aren’t uplifting or “happy” enough for them, or maybe they’re uncomfortable with extra silence during the Mass. I’ve even had priests tell me that people just tend to be in a really bad mood during Lent, and that complaints about all sorts of things, especially the music, are going to start pouring into the church.

Well, I don’t buy it. If we help people to understand all the positive aspects of Lent, the more they will appreciate it. In fact, the more I think about it, I think that Lent just might be my favorite time of the Church year.

Some of the reasons I look forward to the Lenten season:

(1) Great choral music

There is so much passionate, expressive, moving, and just plain GREAT choral music that really only makes sense during Lent. From Allegri’s famous Miserere (not to mention settings by Lotti, Byrd and Palestrina) to Morley’s Nolo mortem peccatoris, Tu solus qui facis mirabilia by Josquin, Byrd’s In jejunio et fletu, Anerio’s Christus factus est; the list is endless and I haven’t even mentioned the great anthems in English! Joy in both singing and listening.

(2) Hymnody

Unmistakable tunes like HEINLEIN, ST FLAVIAN, ERHALT UNS HERR, PASSION CHORALE, and ATTENDE DOMINE are so associated with Lent that we are immersed in the flavor of the season immediately upon their sounding, while their hymn texts are like little mini-homilies, leading us through the Biblical and theological highpoints of our Lenten journey.

(3) The Rites of Christian Initiation

Each week we welcome and get to know our brothers and sisters who will soon be in full Communion with us in the faith. That’s pretty uplifting if you ask me.

(4) A return to the confessional

Many parishes and dioceses put a renewed emphasis on the Sacrament of Reconciliation. Extra penance services are held and people are encouraged to make a good Lenten confession before Easter. Lines for confession get longer and more people seem to take their faith more seriously. A reason to rejoice!

(5) Time for reflection

The restriction of the organ and other instruments to only accompany singing leaves more time for silence. As I mentioned earlier, this extra silence might make some people feel uncomfortable. But we can learn to use this time as a chance for extra prayer and active listening. How wonderful to have the opportunity to heighten our internal joy even as we place limits on our external pleasures.

(6) Increased use of chant and Latin

During Lent many parishes will sing a Latin Agnus Dei or Sanctus. Some choirs may include a chanted Introit. And in some fortunate places, the priest may even sing more of his parts! While these things certainly should take place all year ‘round, this is still a positive sign for which we should all be thankful.

(7) Laetare Sunday

Rejoice, Jerusalem! We are closer than ever to our Easter joy.

As I mentioned above, there is so much great choral music from which to choose during Lent, and I love that process. I am thrilled that I will get to share that process and some of my favorite pieces at the Sacred Music Symposium 2017 this coming June. In the meantime, have a listen to one of my favorite English anthems for Lent:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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