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Views from the Choir Loft

Beauty, Music and the Sacred Liturgy

Dr. Lucas Tappan · February 8, 2017

LMT Liturgy in Heaven R. JOE HESCHMEYER, a seminarian from our archdiocese and a student at the North American College in Rome, maintains an excellent blog entitled Shameless Popery, where he recently authored a post entitled The Worship of Beauty, and the Beauty of Worship. Mr. Heschmeyer notes at the beginning of his post:

A frequent source of in-fighting amongst Christians involves beauty. How beautiful should our churches be? How beautiful should our Liturgies be? And why? In these discussions, there are two points that often go overlooked:

• We Worship Beauty.
• Created Beauty Points towards Divine, Uncreated Beauty.

Obviously, we don’t worship created beauty, but we literally do worship uncreated Beauty. [At the same time,] Creation rightly serves as a sort of ‘road’ leading to its Creator: beauty below points to Beauty above.

As I read his post I remembered a homily I heard delivered to a group of young people by an excellent priest who impressed upon the youth in the congregation that Sunday Mass (and Holy Day Masses) must constitute a non-negotiable in the Christian’s spiritual life. In an attempt to combat various reasons young people gave for not going to Mass every Sunday (it’s boring, I don’t get anything out of it, the music is bad) he boldly stated that as nice as hearing beautiful music at Mass was, we didn’t go to church for the music. I happened to be sitting in the congregation at that Mass in the front row and when he spoke the aforementioned words, he looked at me as if to ask me to affirm what he had just said. While I would ultimately agree that we don’t go to Mass for the music, I couldn’t help feeling that he missed the deeper spiritual reality that the Mass must be celebrated in such a manner that its Truth, Goodness and Beauty shines forth, and perhaps because it isn’t often celebrated this way young people find it difficult to travel the very road (the Sacraments) God put in place to bring them into communion with Him.

Truth, Goodness and Beauty are the three so called transcendental properties of being. Truth, Goodness and Beauty are Who God is in His very essence. Therefore, we can’t say that God is truthful, we must say that He is Truth itself. We can’t refer to God as being good in the sense of good being a description of His divine Person. We must say that God is Goodness itself. Likewise, we can’t say that God is beautiful, we must say that He is Beauty itself. All three of these properties of being have a definitive bearing on the celebration of the Sacred Liturgy.

First, the Sacred Liturgy must be true. The real and valid matter and form must be used. The Word of God is “living and true.” The Creed is a true true statement about God and His Church. In the same manner, the Sacred Liturgy must also bear witness to the Goodness of God, His loving Fatherhood, His Justice, His unfathomable mercy toward each of us, His plan for our life with Him and with each other. Finally, the Sacred Liturgy must be Beautiful. The word of God is beautiful. The act of consecration is beautiful. The Blessed Sacrament is Beauty Himself. However, since God the Father has hallowed all of creation in the Incarnation, all creation must therefore proclaim the Praise and Glory of God, which means that everything, the music, the architecture, and especially the soul of the priest and the souls of all the faithful present must be a beautiful as possible if they are to give fitting praise.

Yes, the Mass would still be valid (presuming valid matter and form) and of infinite worth whether or not the priest were a heretic, the faithful were bored and disengaged to the last man, woman and child, the music were terrible, the building ugly, and if there were a hatred shown for the widow and the orphan. At the same time, I can’t think of a better way to show ingratitude to our Heavenly Father. Such a state of affairs merely shows our own spiritual poverty.

Ultimately, the Sacred Liturgy must be True, Good AND Beautiful. As Mr. Heschmeyer writes, “If Augustine is right that God is Beauty, then a Church without beauty would be as absurd as a Church that rejected truth or goodness. A full-fledged rejection or disregard of Beauty would literally be rejecting and disregarding God. So it’s not an option, or a perk. We need to take beauty seriously. And created beauty helps us by pointing us towards the true Divine Beauty.”

Of course, the lived poverty of Christ is often presented as the impetus for whitewashed churches, banal music, fuzzy homilies and any other number of travesties perpetrated in the name of Christ. But Mr. Heschmeyer rightly points the reader to three biblical realities regarding the right worship of God. First, we have the example of the Israelites in the desert and the very detailed instructions given by God Himself regarding how He is to be worshiped. Secondly, we have the example of the costly perfume poured out by Mary of Bethany onto the feet of Christ (and don’t forget our Lord’s rebuke to Judas when the latter bemoans the waste of so much money that could have been spent on the poor) in St. John’s Gospel. Lastly, we have St. John’s description of the New and Eternal Jerusalem and the Eternal Liturgy that takes place in Heaven. All three examples point us to the conclusion that God is very much concerned with Beauty because He is concerned with our well being and He knows we need Beauty.

While It is true that we have to guard against worshiping created matter instead of the Creator (Israel’s constant problem), it is also true that without created beauty we will never enter into communion with out Lord (the Sacraments being prime examples). Perhaps beauty in the Sacred Liturgy makes us uncomfortable in the same way that a bad husband or father is uncomfortable around a good husband or father and feels the need to justify his bad behavior. Perhaps we are uncomfortable with beauty in the Sacred Liturgy because it makes us realize that our hearts have grown cold and no longer have the energy to spend so lavishly and exuberantly on Christ. Beauty will return to the Sacred Liturgy when we once again turn our hearts to the Lord.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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