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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hallowed Name 1

Fr. David Friel · January 3, 2017

N THE CATHOLIC tradition of many centuries, the month of January has been dedicated to the Holy Name of Jesus. Today, in particular, the Church celebrates the great Name of salvation as an optional memorial in the Ordinary Form.

This occasion is celebrated as a second class feast in the Extraordinary Form on the first Sunday of the year or on January 2. The celebration was removed from the calendar in the reforms of the Second Vatican Council, although a votive Mass in honor of the Holy Name was retained. The feast was restored, as an optional memorial, by the 2002 revision of the Roman Missal.

I am struck each year by the beauty of the orations for today’s Mass in the Ordinary Form. Neither in the Collect nor the Prayer over the Offerings nor in the Prayer after Communion does the name “Jesus” appear. What a marvelous reservation of the Holy Name! Catholics of a certain age would remember the custom of preachers avoiding the overuse of the Divine Name, substituting instead equivalents such as “our Blessed Lord,” “Christ our Savior,” etc. By limiting their employment of that most sacred and powerful Name, the preachers of old and the prayers of the new Roman Missal intend to cultivate a practical reverence for the Son of God.

This is not, however, the only tradition. In fact, the three orations of the Mass formula in the Extraordinary Form do include mention of the Name. The man, moreover, who is most responsible for spreading the Holy Name devotion in the Church, St. Bernardine of Siena (d. 1444), was also responsible for the insertion of the Name, “Jesus,” into the prayer, Hail Mary. Therefore, the approach of St. Bernardine was to increase the frequency of the Name’s utterance. A similar example is found in the missionary work of the North American martyrs, who wrote the Name, “Jesus,” on trees throughout the forest as an aid to the conversion of the Iroquois people.

It would seem, then, that there are two legitimate traditions. This diversity, in itself, is a beauty of the Church. But perhaps what is most significant is not which of these traditions we choose to follow. Whether we withhold our expression of the Divine Name or speak it frequently, our purpose should be the same: to render honor unto Him Whose Name it is.

Laudetur Iesus Christus — Nunc et in aeternum!


Editor’s Note : I hope Fr. Friel will not mind the addition of an excerpt from the life of Saint Isaac Jogues, wherein this holy priest talks about his captivity by the Iroquois:

“How often, though in a strange land, have we sung the canticle of the Lord; and the woods and the mountains about resounded with the praises of their Creator, which never—since their creation—had they heard. How often on the stately trees of the forests did I carve the most SACRED NAME of JESUS, so that, seeing it, the demons might take to flight, and hearing it, they might tremble with fear?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

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  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

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