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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hallowed Name 1

Fr. David Friel · January 3, 2017

N THE CATHOLIC tradition of many centuries, the month of January has been dedicated to the Holy Name of Jesus. Today, in particular, the Church celebrates the great Name of salvation as an optional memorial in the Ordinary Form.

This occasion is celebrated as a second class feast in the Extraordinary Form on the first Sunday of the year or on January 2. The celebration was removed from the calendar in the reforms of the Second Vatican Council, although a votive Mass in honor of the Holy Name was retained. The feast was restored, as an optional memorial, by the 2002 revision of the Roman Missal.

I am struck each year by the beauty of the orations for today’s Mass in the Ordinary Form. Neither in the Collect nor the Prayer over the Offerings nor in the Prayer after Communion does the name “Jesus” appear. What a marvelous reservation of the Holy Name! Catholics of a certain age would remember the custom of preachers avoiding the overuse of the Divine Name, substituting instead equivalents such as “our Blessed Lord,” “Christ our Savior,” etc. By limiting their employment of that most sacred and powerful Name, the preachers of old and the prayers of the new Roman Missal intend to cultivate a practical reverence for the Son of God.

This is not, however, the only tradition. In fact, the three orations of the Mass formula in the Extraordinary Form do include mention of the Name. The man, moreover, who is most responsible for spreading the Holy Name devotion in the Church, St. Bernardine of Siena (d. 1444), was also responsible for the insertion of the Name, “Jesus,” into the prayer, Hail Mary. Therefore, the approach of St. Bernardine was to increase the frequency of the Name’s utterance. A similar example is found in the missionary work of the North American martyrs, who wrote the Name, “Jesus,” on trees throughout the forest as an aid to the conversion of the Iroquois people.

It would seem, then, that there are two legitimate traditions. This diversity, in itself, is a beauty of the Church. But perhaps what is most significant is not which of these traditions we choose to follow. Whether we withhold our expression of the Divine Name or speak it frequently, our purpose should be the same: to render honor unto Him Whose Name it is.

Laudetur Iesus Christus — Nunc et in aeternum!


Editor’s Note : I hope Fr. Friel will not mind the addition of an excerpt from the life of Saint Isaac Jogues, wherein this holy priest talks about his captivity by the Iroquois:

“How often, though in a strange land, have we sung the canticle of the Lord; and the woods and the mountains about resounded with the praises of their Creator, which never—since their creation—had they heard. How often on the stately trees of the forests did I carve the most SACRED NAME of JESUS, so that, seeing it, the demons might take to flight, and hearing it, they might tremble with fear?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

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