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Views from the Choir Loft

Musical Resources • 2nd Sunday of Advent (EF)

Jeff Ostrowski · December 1, 2016

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL   •   #800 On Jordan’s Bank The Baptist’s Cry

From the Campion Hymnal.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

Choir should be learning #6995.

We also know #3347, #3661, and #7332.


GLORIA IN EXCELSIS

The GLORIA is omitted during Advent.

We also know #7709.


GRADUAL & ALLELUIA

We will sing #7503 (an Alleluia by Victoria) with verses you don’t need to practice.


CREDO IV   •   Alternatim

We often sing this version: #3445 — but today it will be unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

#796 Veni, Veni Emmanuel, from the Campion Hymnal.


SANCTUS & HOSANNA

Sanctus XIII from Campion Hymnals with Potiron’s accomp.

As always, Sanctus XIII can be practiced at Saint Antoine Daniel.

We also sometimes sing #3496.

We are currently learning #6962.


AGNUS DEI

Here is the musical score. To learn this piece, visit this website and locate #2978.   The words are different, but the music is the same.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.


COMMUNION OTHER

We will sing a fantastic motet by Guerrero—#7231—which has two (correct) names: “Creator Alme Siderum” or “Conditor Alme Siderum.”


RECESSIONAL HYMN   •   #797 O Come, O Come, Emmanuel

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

608 Precis


Here’s the most common conclusion:

407 Christ Saves


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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