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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hysteria Over CDW Appointments?

Jeff Ostrowski · November 8, 2016

OPE FRANCIS recently made appointments to the Congregation for Divine Worship and the Discipline of the Sacraments. I have something to say regarding the hysteria that has accompanied this news. In the past, I’ve made it clear that our job is not to expose the sensationalism that routinely passes for “internet journalism”—but every rule has an exception, right?

Before I address the CDW issue, I must describe two common myths. One is regarding the Extraordinary Form; the other has to do with the Ordinary Form.

The internet harbors a fair amount of self-proclaimed “experts” (frequently too cowardly to reveal their real names) who promote myths about the Traditional Latin Mass. One myth will end today. It pretends the Extraordinary Form is basically defined by SILENCE, whereas the Ordinary Form “never has any silence.” Nothing could be further from the truth.

The High Mass, which is considered ideal and normative, has less than 0.08% silence. Singing or speaking occurs almost without interruption. A few moments of silence occur at the Elevation (before the polyphonic BENEDICTUS & HOSANNA), and a few moments before the AGNUS DEI, but that’s basically it. Consider how High Mass begins:

The bell is rung.|
Then, immediately, the Processional is sung/played.|
Then, immediately, the Asperges is intoned and sung.|
Then, immediately, the dialogue after the Asperges is sung.|
Then, immediately, the Introit is sung.|
Then, immediately, the KYRIE is sung.|
Then, immediately, the GLORIA is intoned and sung.|
Then, immediately, the Collect is sung.|
Then, immediately, the Epistle is sung.|
Then, immediately, the Gradual & Alleluia are sung.|
Then, immediately, the Gospel is sung.|
Then, immediately, the organist plays until the priest begins the Homily.|
And so forth until the end of Mass.

The Low Mass—if it’s not “dialogue” and no hymns are sung—does contain long periods of silence. Silent Low Masses are powerful, spiritual, and precious. They should never be denigrated. But Low Mass has never been considered the ideal for Sundays or feast days, and that’s when most Catholics attend Mass. At FSSP.la, we’ve never had a Low Mass on Sunday. That’s why I hate seeing articles about the “powerful silence” of the Solemn Traditional Mass.

Something we hear constantly about the Ordinary Form is that it has “so many options, while the EF never gives the priest options.” That is actually a myth. While it’s true the Ordinary Form has a zillion options theoretically, the reality is—for fifty long years—most of these options have remained unused. That’s because once a publisher chooses an option, everyone just accepts what is printed.

Therefore, we have de facto UNIFORMITY in the Ordinary Form; not because it was designed that way, but because the publishers favor certain options and people believe anything else is “wrong.” Publishers are supposed to include all valid options, but they don’t—and they’ve never been disciplined for this. Moreover, publishers for decades have included hundreds of texts that are not approved—yet nobody has forced them to stop. 1

By the way, contrary to what you may have been told, the Traditional Mass had options as well.

677 Malcolm Ranjith ITH REGARD to recent CDW appointments, what are we to make of the hysteria? What are we to make of the excessive commentary emanating from sensationalist blogs written by people who claim to be Vaticanisti? What are we to make of reports which fail to mention that Cardinal Sarah was not removed, even though we’ve seen Pope Francis remove cardinals in the past somewhat whimsically? What should we think of reports stressing how Archbishop Piero Marini—who believes Sacrosanctum Concilium didn’t go nearly far enough—was added, while failing to mention that surprisingly “traditional” bishops like Serratelli were also chosen?

Just like we saw EF and OF myths, the notion that any noteworthy change will be made to the liturgical books is total nonsense. No substantial change has been made to the official books since the early 1970s—almost fifty years ago! A new feast day has been added here and there, certainly; but nothing major. 2

By the way, some reports went beyond irresponsible speculation, printing false information. For example, the Collegeville Press blog said on 29 October that MALCOLM CARDINAL RANJITH had been removed by Pope Francis:

680 wrong about Ranjith


In fact, Cardinal Ranjith was not removed.

At the end of the day, not much has changed. God is in control of the universe, and when we die we must answer for how we served Him in this life. Publishing internet articles about “how such-and-such an appointment will be perceived” remains incredibly easy, while training actual Catholics to sing sacred music remains incredibly difficult—yet supremely rewarding.



NOTES FROM THIS ARTICLE:

1   Years ago, several well-meaning members of the CMAA forum asserted that 1974 Propers could not replace the so-called “Opening Hymn” in the Ordinary Form. I’m happy to report that when members of CCW provided documentation proving the exact opposite, the issue was put to rest. Now, if we could just convince the other 99.99% of Catholics!

2   The only possible exception I can think of would be about fifteen years ago when the Holy See completely reformed ICEL, eliminating much corruption and facilitating a more accurate English translation. But even that did not change one word of the official liturgical books, which are written in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Let the candle upon the reed be lighted, and let another candle be lighted at the same time, so that the candle upon the reed can be rekindled if it should chance to be blown out.”

— MS circa 1210 A.D. describing the Holy Saturday ‘Trident’

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