• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Hysteria Over CDW Appointments?

Jeff Ostrowski · November 8, 2016

OPE FRANCIS recently made appointments to the Congregation for Divine Worship and the Discipline of the Sacraments. I have something to say regarding the hysteria that has accompanied this news. In the past, I’ve made it clear that our job is not to expose the sensationalism that routinely passes for “internet journalism”—but every rule has an exception, right?

Before I address the CDW issue, I must describe two common myths. One is regarding the Extraordinary Form; the other has to do with the Ordinary Form.

The internet harbors a fair amount of self-proclaimed “experts” (frequently too cowardly to reveal their real names) who promote myths about the Traditional Latin Mass. One myth will end today. It pretends the Extraordinary Form is basically defined by SILENCE, whereas the Ordinary Form “never has any silence.” Nothing could be further from the truth.

The High Mass, which is considered ideal and normative, has less than 0.08% silence. Singing or speaking occurs almost without interruption. A few moments of silence occur at the Elevation (before the polyphonic BENEDICTUS & HOSANNA), and a few moments before the AGNUS DEI, but that’s basically it. Consider how High Mass begins:

The bell is rung.|
Then, immediately, the Processional is sung/played.|
Then, immediately, the Asperges is intoned and sung.|
Then, immediately, the dialogue after the Asperges is sung.|
Then, immediately, the Introit is sung.|
Then, immediately, the KYRIE is sung.|
Then, immediately, the GLORIA is intoned and sung.|
Then, immediately, the Collect is sung.|
Then, immediately, the Epistle is sung.|
Then, immediately, the Gradual & Alleluia are sung.|
Then, immediately, the Gospel is sung.|
Then, immediately, the organist plays until the priest begins the Homily.|
And so forth until the end of Mass.

The Low Mass—if it’s not “dialogue” and no hymns are sung—does contain long periods of silence. Silent Low Masses are powerful, spiritual, and precious. They should never be denigrated. But Low Mass has never been considered the ideal for Sundays or feast days, and that’s when most Catholics attend Mass. At FSSP.la, we’ve never had a Low Mass on Sunday. That’s why I hate seeing articles about the “powerful silence” of the Solemn Traditional Mass.

Something we hear constantly about the Ordinary Form is that it has “so many options, while the EF never gives the priest options.” That is actually a myth. While it’s true the Ordinary Form has a zillion options theoretically, the reality is—for fifty long years—most of these options have remained unused. That’s because once a publisher chooses an option, everyone just accepts what is printed.

Therefore, we have de facto UNIFORMITY in the Ordinary Form; not because it was designed that way, but because the publishers favor certain options and people believe anything else is “wrong.” Publishers are supposed to include all valid options, but they don’t—and they’ve never been disciplined for this. Moreover, publishers for decades have included hundreds of texts that are not approved—yet nobody has forced them to stop. 1

By the way, contrary to what you may have been told, the Traditional Mass had options as well.

677 Malcolm Ranjith ITH REGARD to recent CDW appointments, what are we to make of the hysteria? What are we to make of the excessive commentary emanating from sensationalist blogs written by people who claim to be Vaticanisti? What are we to make of reports which fail to mention that Cardinal Sarah was not removed, even though we’ve seen Pope Francis remove cardinals in the past somewhat whimsically? What should we think of reports stressing how Archbishop Piero Marini—who believes Sacrosanctum Concilium didn’t go nearly far enough—was added, while failing to mention that surprisingly “traditional” bishops like Serratelli were also chosen?

Just like we saw EF and OF myths, the notion that any noteworthy change will be made to the liturgical books is total nonsense. No substantial change has been made to the official books since the early 1970s—almost fifty years ago! A new feast day has been added here and there, certainly; but nothing major. 2

By the way, some reports went beyond irresponsible speculation, printing false information. For example, the Collegeville Press blog said on 29 October that MALCOLM CARDINAL RANJITH had been removed by Pope Francis:

680 wrong about Ranjith


In fact, Cardinal Ranjith was not removed.

At the end of the day, not much has changed. God is in control of the universe, and when we die we must answer for how we served Him in this life. Publishing internet articles about “how such-and-such an appointment will be perceived” remains incredibly easy, while training actual Catholics to sing sacred music remains incredibly difficult—yet supremely rewarding.



NOTES FROM THIS ARTICLE:

1   Years ago, several well-meaning members of the CMAA forum asserted that 1974 Propers could not replace the so-called “Opening Hymn” in the Ordinary Form. I’m happy to report that when members of CCW provided documentation proving the exact opposite, the issue was put to rest. Now, if we could just convince the other 99.99% of Catholics!

2   The only possible exception I can think of would be about fifteen years ago when the Holy See completely reformed ICEL, eliminating much corruption and facilitating a more accurate English translation. But even that did not change one word of the official liturgical books, which are written in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.