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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choirmaster’s Life: “A Life of Sacrifice”

Jeff Ostrowski · October 10, 2016

779 Sperabo HE LIFE of a choirmaster is a life of sacrifice. Indeed, directing a choir is one of the most difficult jobs—and our readers hardly require an explanation from me, since many share this vocation! However, if we look deeper, we realize this is actually a good thing.

For example, it was necessary for me to work very hard to put myself through college. I had earned scholarships, but there were additional requirements for those who received them. Looking back, I’m so glad I applied myself to the fullest—but would I have done so if it weren’t required?

Those of us with small children know how difficult this can be. The fact that I have been suffering due to a serious illness (in spite of many expensive medical procedures) makes things even harder. Sometimes my wife and I get so overwhelmed we just stare at each other: “Is this really happening right now?” Yet, God always has a plan. He knows these trials will bring us closer to Him, so we can be with Him in Heaven one day. Let’s be honest—would anyone choose the difficulties associated with raising children if they were given another option?

Due to human nature, I believe most of us wouldn’t reach our potential unless we have to. 1

AS A CHOIRMASTER, nothing would be easier than having twenty paid professional singers present each week. I’ve done that in the past, and it’s really awesome. On the other hand, working with volunteers is quite challenging. You must work very hard—or they stop coming. You must introduce new music—or they stop coming. You must not overwhelm them—or they stop coming. You must accept their quirks—or they stop coming. You must make sure the level of performance is acceptable and doesn’t sound horrible—or they stop coming. You must be flexible, adjusting to their needs as they are revealed to you—or they stop coming. You must be energetic and happy, bursting with energy and knowledge and excitement—or they stop coming.

But I wouldn’t have it any other way.

These challenges force us to become better at what we do. As I mentioned earlier, most of us would not push ourselves—unless we have to. Most importantly of all, these efforts please God.

And when the choir sings well, it’s all worth it. And when you see the transformation in people who have learned so much from your directing, it’s totally worth it!



NOTES FROM THIS ARTICLE:

1   If you examine the great composers, you will notice that—almost without exception—they wrote their best works out of necessity. They often had an urgent purpose: compose this piece, or you don’t eat! We hardly ever find composers “going off into a corner” and composing a piece without an immediate purpose in mind. Performers are the same way. When Horowitz had very little money, he reached the zenith of his career. After he became extremely famous and rich, his playing suffered tremendously. (The drugs didn’t help matters, either!) Horowitz could sit in his pajamas all day if he desired—and often did—and this was his undoing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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