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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vocation Directors Immersed in Chant—Immersed in Prayer

Richard J. Clark · October 7, 2016

HIS ISN’T ABOUT chant. This isn’t about a style of music. This is about scripture. This is about prayer. This is about vocations.

The National Conference of Diocesan Vocations Directors (NCDVD) recently held its fifty-third annual convention in Boston. A gathering of approximately three hundred priests, nuns, and laity, its daily schedule was appropriately anchored in prayer: Lauds, Vespers, and Mass. This is no small matter. All service to God is best supported and sustained by prayer—hence the great importance of preparing beautiful liturgies.

Notable in all the liturgies was the predominance of Gregorian Chant in Latin as well as new settings in English of the Entrance and Communion Chants. For a national event, one would surmise that few experience liturgies like these on a regular basis. However, from the incredibly robust singing, who would not know it? Whether in English or Latin, modern or Gregorian notation, it mattered not. Credo III in Latin and Gregorian notation? Not a problem. Nor was anything else.

Again, this is not about chant or a style of music. Roman Catholic sacred music is rooted entirely in scripture. This is most obvious in the Liturgy of the Hours. Using Fr. Samuel Weber’s settings, any novice to chant could pray the scriptures. While some hymns were sung at Mass, they were secondary to singing the Mass.

It was decided to use contemporary settings of the Entrance and Communion chants in English as a bridge and an element of catechesis. Sung were settings by Christoph Tietze and Adam Bartlett, plus some settings of my own for the optional memorials.

Here is a sample from one liturgy: (Forgive the recording with an iPhone near the organ.) Note the singing grows dramatically with each repetition of the antiphon:

      * *  Mp3 Download • Adam Bartlett’s Entrance Antiphon • 27th Sunday (Lumen Christi Missal)

Instead of an organ prelude, we sang the corresponding Introit from the Graduale Romanum as a matter of connecting the contemporary settings with our ancient roots.

ITURGIES IN HOTELS are always a challenge. But the primacy of chant created a prayerful and reverent environment in a challenging space. Whether this was everyone’s favorite music or not was not the point. I’m sure for many it was not. Most conferences attempt to please the diversity of people present—a difficult to impossible task. But here, the simplicity of the music leant to its prayerfulness.

But this week in Boston, praying for the success of vocation directors was paramount. Everyone recognizes the urgency we face across the country with regard to vocations.

Once again, none of this is about chant. Preached from the sanctuary multiple times was this reminder: success for vocation directors is not simply about numbers. It is about quality. For only Jesus can call men and women to religious life. Success is in how well we respond to God’s call, and how well we assist those in their formation.

OU MAY BE SURPRISED to see that actor and Boston native, Mark Wahlberg created a video to welcome those in attendance at the conference. His reflections on the sacraments and the importance of good priests in his life are beyond beautiful. You can read about it and watch the video here in The Pilot.

Such events take an enormous amount of teamwork and support. Fr. Jason Jalbert, Bishop’s Priest Secretary Office of Vocations/Sacred Worship in the Diocese of Manchester put in untold hours to make the liturgies beautiful and sacred. Organ builder Richard Pelland graciously donated the use of a Makin Thirlemere digital organ, which was key to the success of the liturgies, keeping three hundred voices in a very dry space together. Enormous thanks is due to cantor Marc DeMille who sings the scriptures so prayerfully. In addition, organist Ryan Lynch was of great assistance. Dr. Janet Hunt directed the seminarians of St. John’s Seminary in Boston in a special Mass with Cardinal O’Malley.

I am personally very grateful to have had the honor of praying with so many this week. it transformed me. My hope is that this past week’s conference and prayer will transform countless lives in ways we may never know.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

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  • Music List • “5th Sunday of Easter” (Year A)

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