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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Choir Isn’t Everything

Richard J. Clark · September 23, 2016

USIC AT MASS is all about the choir, right? Wait, the cantor on a microphone? Really it’s all about the organist who can play the loudest. The musicians provide all the music that is important or that is needed, right? But the most obviously element to sacred music is often the most overlooked.

What happens when a priest sings the Greeting? Intones the Gloria? Sings the Collect? The Preface Dialogue and Preface? The Institution Narrative? The Lord’s Prayer? Etc.?

What is going on here?

The priest is singing more than the choir. The priest is singing the Mass. The people are responding to the dialogues. The choir sings. The people sing even more. Fitting are the words of the Exsultet: “Let this holy building shake with joy!”

Where appropriate, the choir sings. The choir has its role—a very important one: sometimes to simply sing with the congregation or enhance, fostering the unity of the faithful and exterior participation. Other times it is to sing alone to foster interior participation.

The choir’s role is indeed important, but it is only a part of a larger unified role. Ideally, sacred music is a wider effort that goes well beyond the choir loft. It emanates from the choir loft and from the sanctuary. It comes to fruition in the pews and resonates in song and in the heart. Music—hence prayer—is unified throughout the sacred space.

The priest’s musical role is enormously influential for the congregation. But not all priests are comfortable singing. Remember, a small amount of singing from a priest will yield enormous dividends. This can not be emphasized enough. Even singing recto tono (singing on one note only) for the Greeting or Collect can energize a congregation. (Keep it simple!) This in turn can kick start a congregation to sing everything else more robustly.

I encourage all priests to sing even a little bit. I encourage all music directors to work with and encourage their clergy. A few notes at Mass will be a mustard seed that will yield great fruit.

At all times, all sacred music—whether sung by the priest, choir, or congregation—the role of sacred music is to help the faithful pray the texts of the Mass. Ultimately, whatever our individual role is during the liturgy, all are working towards the same goal: the edification and sanctification of the people—the salvation of souls.

PRIESTS! DEACONS! CHOIRS! Want to sing the Mass and learn the chants of The Roman Missal? Here they are:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL Chants, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

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