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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improving the Liturgy

Fr. David Friel · September 18, 2016

HE LAST 150 years or so have been a very significant period as regards the sacred liturgy. Throughout that time, a Liturgical Movement has been afoot, striving to improve the manner and quality of our worship.

But how does one “improve” the liturgy? What does it even mean to speak about improving public worship?

Consider this perspective from the liturgical scholar, Robert Taft, SJ:

For over a century now the Christian Churches, first of the West, then also of the East, have been preoccupied with liturgical renewal, under the influence of what is known as “The Liturgical Movement,” a worldwide effort dedicated to making Christian liturgy better. But good liturgy is liturgy that glorifies God and sanctifies those glorifying him, and that is his gift to us, not ours to him. For we can glorify God only by accepting the unmerited gift of sanctification he freely gives us. If it is God who does it, how could it be better? It could be better from our side, for we too have a part in the liturgy, which is neither magic nor unconscious. So God’s part would better achieve its aim if we would drink more fully from the saving waters he offers us in the liturgy via a participation that would be more active, more conscious, more communal. 1

A similar outlook is encapsulated in a reflection by Pope Benedict XVI on the Regensburg tradition and the reform of the liturgy. The Pope Emeritus writes this:

Liturgy presupposes . . . that the heavens have been opened; only if this is the case is there liturgy at all. If the heavens are not open, then whatever liturgy was is reduced to role playing and, in the end, to a trivial pursuit of congregational self-fulfillment in which nothing really happens. The decisive factor, therefore, is the primacy of Christology. Liturgy is God’s work, or it does not exist at all. With this “first” of God and of his action, which looks for us in earthly signs, the universality of all liturgy and its universal public nature are given. . . . By opening up the heavens, [Christ] is also the one who does away with all earthly limitations.” 2

We can look back upon the last century and a half and evaluate the progress of the Liturgical Movement in the light of these two reflections, which place primacy on the action of God at work in the liturgy. In this process of evaluation, it would be easy to identity both strengths and weaknesses.

Looking forward, though, is always more of a challenge. What is the present course of the liturgical movement? What steps are we taking to better “our side” of the liturgy, as Taft calls it? In what ways are we striving to drink more fully from “God’s part”? In what ways is the Liturgical Movement making us more aware of God’s action of opening the heavens to us in the liturgy?

One encouraging sign is that proper liturgical formation is receiving greater emphasis in seminaries and among the laity. Surely, this should be one of the most important areas of concentration in any effort to renew the liturgy.

Another equally important dimension of the way forward is the need to return to the writings and vision of the leaders of the Liturgical Movement over the last century. We must become more familiar with such figures as Pope Pius X, Romano Guardini, Lambert Beauduin, Louis Bouyer, and Pope Benedict XVI, among many others. Doing so will ground us more deeply in the vision expressed in the two quotes above.

The era of Summorum Pontificum is still relatively young, and its impact has not yet fully unraveled. Sorting out the tensions caused by it (and by Anglicanorum Coetibus) will surely be a major part of the way forward in the Liturgical Movement.

Perhaps a wider understanding of “organic development” as it applies to sacred liturgy is a goal for which we might also hope. More systematic treatments of this topic would surely be welcome.

What other features or priorities do you envision for the future of the Liturgical Movement? Please feel free to comment with your thoughts.

Instaurare omnia in Christo




NOTES FROM THIS ARTICLE:

1   Robert F. Taft, S.J., Through Their Own Eyes: Liturgy as the Byzantines Saw It (Berkeley, CA: InterOrthodox Press, 2006), 1.

2   Joseph Ratzinger, “The Regensburg Tradition and the Reform of the Liturgy,” in Collected Works: Theology of the Liturgy, vol. 11 (San Francisco, CA: Ignatius Press, 2014), 466-467.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, His Holiness Pope Pius X Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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