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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improving the Liturgy

Fr. David Friel · September 18, 2016

HE LAST 150 years or so have been a very significant period as regards the sacred liturgy. Throughout that time, a Liturgical Movement has been afoot, striving to improve the manner and quality of our worship.

But how does one “improve” the liturgy? What does it even mean to speak about improving public worship?

Consider this perspective from the liturgical scholar, Robert Taft, SJ:

For over a century now the Christian Churches, first of the West, then also of the East, have been preoccupied with liturgical renewal, under the influence of what is known as “The Liturgical Movement,” a worldwide effort dedicated to making Christian liturgy better. But good liturgy is liturgy that glorifies God and sanctifies those glorifying him, and that is his gift to us, not ours to him. For we can glorify God only by accepting the unmerited gift of sanctification he freely gives us. If it is God who does it, how could it be better? It could be better from our side, for we too have a part in the liturgy, which is neither magic nor unconscious. So God’s part would better achieve its aim if we would drink more fully from the saving waters he offers us in the liturgy via a participation that would be more active, more conscious, more communal. 1

A similar outlook is encapsulated in a reflection by Pope Benedict XVI on the Regensburg tradition and the reform of the liturgy. The Pope Emeritus writes this:

Liturgy presupposes . . . that the heavens have been opened; only if this is the case is there liturgy at all. If the heavens are not open, then whatever liturgy was is reduced to role playing and, in the end, to a trivial pursuit of congregational self-fulfillment in which nothing really happens. The decisive factor, therefore, is the primacy of Christology. Liturgy is God’s work, or it does not exist at all. With this “first” of God and of his action, which looks for us in earthly signs, the universality of all liturgy and its universal public nature are given. . . . By opening up the heavens, [Christ] is also the one who does away with all earthly limitations.” 2

We can look back upon the last century and a half and evaluate the progress of the Liturgical Movement in the light of these two reflections, which place primacy on the action of God at work in the liturgy. In this process of evaluation, it would be easy to identity both strengths and weaknesses.

Looking forward, though, is always more of a challenge. What is the present course of the liturgical movement? What steps are we taking to better “our side” of the liturgy, as Taft calls it? In what ways are we striving to drink more fully from “God’s part”? In what ways is the Liturgical Movement making us more aware of God’s action of opening the heavens to us in the liturgy?

One encouraging sign is that proper liturgical formation is receiving greater emphasis in seminaries and among the laity. Surely, this should be one of the most important areas of concentration in any effort to renew the liturgy.

Another equally important dimension of the way forward is the need to return to the writings and vision of the leaders of the Liturgical Movement over the last century. We must become more familiar with such figures as Pope Pius X, Romano Guardini, Lambert Beauduin, Louis Bouyer, and Pope Benedict XVI, among many others. Doing so will ground us more deeply in the vision expressed in the two quotes above.

The era of Summorum Pontificum is still relatively young, and its impact has not yet fully unraveled. Sorting out the tensions caused by it (and by Anglicanorum Coetibus) will surely be a major part of the way forward in the Liturgical Movement.

Perhaps a wider understanding of “organic development” as it applies to sacred liturgy is a goal for which we might also hope. More systematic treatments of this topic would surely be welcome.

What other features or priorities do you envision for the future of the Liturgical Movement? Please feel free to comment with your thoughts.

Instaurare omnia in Christo




NOTES FROM THIS ARTICLE:

1   Robert F. Taft, S.J., Through Their Own Eyes: Liturgy as the Byzantines Saw It (Berkeley, CA: InterOrthodox Press, 2006), 1.

2   Joseph Ratzinger, “The Regensburg Tradition and the Reform of the Liturgy,” in Collected Works: Theology of the Liturgy, vol. 11 (San Francisco, CA: Ignatius Press, 2014), 466-467.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, His Holiness Pope Pius X Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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